The Stax Thread III

Jun 12, 2025 at 9:15 AM Post #28,111 of 28,125

Hey guys,
Saving up for a KGSSHV CARBON build from Soren Brix.I Have enough saved up for a STAX SRM-700S. Would the Carbon be much better for a 007A?

I'm asking because there's a lot of conflicting information online: many people say it doesn't matter unless you're listening at unhealthy volume levels and the shout won't go away unless you're on tubes.

The Carbon has much more power on tap, but is it a similar case to the Susvara, where that headphone needs extra headroom in addition to its gigantic power requirements?

Need to be sure of this since the Carbon would be significantly more expensive to import after Indian customs.
The Carbon should give you better dynamics, bass drive and detail. There are used Carbon's that pop up for sale so maybe keep an eye on classifieds until one comes up for sale.
 
Jun 12, 2025 at 9:21 AM Post #28,112 of 28,125
I Have enough saved up for a STAX SRM-700S. Would the Carbon be much better for a 007A?

The 700S is the successor to the 717. The 717 was released for the 007. I don't have the 700S but I do have the 717 and a Carbon. The 007 will sound a bit brighter on the Carbon and the bass will hit harder. Any amp in the class of the 717 is an ok "stopping point" just IMO. Amps above the 717 like the Carbon and BH have way more power on tap you can feel, but how loud are you looking to go?

Obviously the only way to know for sure is to test yourself. We all have different ears.
 
Jun 12, 2025 at 9:29 AM Post #28,113 of 28,125
how loud are you looking to go?
Probably no more than 80-85db, I haven't checked but I really won't like to blow out my eardrums:L3000:

I'm 35 and a bit sensitive to 5k and above.
The 007 will sound a bit brighter on the Carbon

This is exactly what I'm worried about. On the other hand, getting a 700S there's always that question of weather it's enough power on tap.
 
Jun 12, 2025 at 10:12 AM Post #28,114 of 28,125
Probably no more than 80-85db, I haven't checked but I really won't like to blow out my eardrums:L3000:

This is exactly what I'm worried about. On the other hand, getting a 700S there's always that question of weather it's enough power on tap.

When you were at the meetup I don't know how much time you spend on my Carbon with my 007mk2 or anyone elses(not sure if only mine was there) and if the difference in quality was big enough compared to what you already own.

The Mjolnir CFA is $2,000 cheaper new then the Mjolnir Carbon and offers a similar level of audio quality, just a bit more laid back and tube like then the Carbon.
 
Jun 12, 2025 at 10:53 AM Post #28,115 of 28,125
Hey guys,
Saving up for a KGSSHV CARBON build from Soren Brix.I Have enough saved up for a STAX SRM-700S. Would the Carbon be much better for a 007A?

I'm asking because three's a lot of conflicting information online: many people say it doesn't matter unless you're listening at unhealthy volume levels and the shout won't go away unless you're on tubes.
The Carbon has much more power on tap, but is it a similar case to the Susvara, where that headphone needs extra headroom in addition to its gigantic power requirements?
Need to be sure of this since the Carbon would be significantly more expensive to import after Indian customs.
First advice is: don't get an SRM-700s.
Save your money, get an SRM-717 or SRM-727II modded instead in nice working condition, which cost a fraction of the price.
Some parts have been changed with newer ones, but they are essentially the same.

About Stax solid-state amps vs Carbon: the two amps sound markedly different. Not quite as simple as more power = better.

Yes, there is a substantial power difference that is going to increase driver control, dynamics, punch (mainly in the low-end), reduce congestion and separation.
That's obviously going to be advantage Carbon.

But there is also a different type of sound signature and character that's not necessarily equally suited to certain types of recordings.

With the Stax amps, you start to get roll-off towards the extreme ends of the spectrum. There is less bass depth and treble information.
However, when you start to pair an SR-007 with a more extended amp, the midrange starts to feel a little "lost" in the sound.
It subtly emphasizes a more V-shaped sound. That's the 007 character in general, the 007A is a little more forward, but it is not a Lambda, much warmer, more diffused and relaxing. So with a Carbon, the presentation turns slightly more towards "analytical warmth": clean, controlled, nothing offensive, but there is also somehow something "missing" from the sound. Also emphasizer the "quickness" of estats, resulting in certain sounds (e.g. cymbals) having too quick of a decay. While that mainly comes from the headphones, I prefer not to have that enhanced further by the amp.


As opposed to "musical warmth", where you hear midrange, and then the rest follows, feels more "alive".
There is a midrange warmth in Stax amps that seems to make a smoother transition on that area with certain headphones (but can be quite irritating on others, that have the "famous" upper midrange peak, some have treble peaks, those are less "nervous" on Carbon).


Other big difference between these amps is how they portray stage.
With the Carbon you get a large stage in the width department. However, the stage is a rectangle shape with clear boundaries and "rigid" imaging.
So it still feels sort of constricted despite its sizing.

On the Stax amp, it is the opposite. You get a narrower hall, but more of a trapezoid-shape, feels less delineated, a bit more airy and diffused.
Also with Stax amps, you get a bit less clear imaging, but also better ambient detail, meaning you hear tiny changes in spatiality that is somehow masked away on Carbon.


So what does this all mean, how does it translate to making an educated decision?


If you are the sort of person who mainly listens to pop, rock, metal or electronic music, then the power of a "meaty" KG amp is going to do a better job for you.
Stax amps are simply weaker here.


However, I am somewhat more impressed by the Stax amps on classical, acoustic and vocal music.
This is where they seem to have a more "intriguing" character, and I feel better synergy with certain headphones especially in the midrange and spatiality that somehow gets lost when moving to a Carbon.

It feels like Carbon was designed to be an "ideal" solid-state amp. But it wasn't designed to be "ideally matching" amp with Stax headphones.
I tried it with many many different Staxes and the pairings I like the most is not what most people seem to be talking about
(but as you'd imagine they are the sort of headphones which counteract its character).

So yes, I am missing the Carbon bass volume at times is simply weaker than I'd like - yet not missing it at the same time, because certain things Stax amps do are very satisfying - and they do this while being way cheaper and more practical.


This is based on owning these amps for a few years, there could be even more subtleties that I can't remember now.

I also exchanged impressions with a number of people about Carbon and other amps, got some interesting sound descriptions but won't quote from private discussions.
Also tried the KGSSHV numerous times, behaves mostly like a Carbon except it is even more punchy, forward and analytical with less warmth. (might not be bad for a 007 that can have a tendency to be "too warm"). I'd also like to thank a certain member who used to post here in the old days, and did an unbiased KGSS vs 717 shootout - a handful of things come from his observations helping me what to pick up on during listening.

Hope it helps.
 
Jun 13, 2025 at 8:59 AM Post #28,116 of 28,125
1000086817.jpg
Hey guys,
Saving up for a KGSSHV CARBON build from Soren Brix.I Have enough saved up for a STAX SRM-700S. Would the Carbon be much better for a 007A?

I'm asking because there's a lot of conflicting information online: many people say it doesn't matter unless you're listening at unhealthy volume levels and the shout won't go away unless you're on tubes.

The Carbon has much more power on tap, but is it a similar case to the Susvara, where that headphone needs extra headroom in addition to its gigantic power requirements?

Need to be sure of this since the Carbon would be significantly more expensive to import after Indian customs.
I have tried SR-007 and SR-009S on Stax T8000 and SRM-Xh. Basically the lowest and the highest end amps that Stax made. And I for the love of god could not tell a difference. The only time where I felt like the amp did matter was when I was ABing Stax 006T mk2 vs Stax 700S while using DCA Corina and Audeze CRBN. I felt like there was slightly more bass on the 700S but it could've been placebo. Those 2 Estats are known to be the most power hungry ones out there and I was already redlining the volume knob even on 700S.
 
Jun 13, 2025 at 9:18 AM Post #28,117 of 28,125
I have tried SR-007 and SR-009S on Stax T8000 and SRM-Xh. Basically the lowest and the highest end amps that Stax made. And I for the love of god could not tell a difference. The only time where I felt like the amp did matter was when I was ABing Stax 006T mk2 vs Stax 700S while using DCA Corina and Audeze CRBN. I felt like there was slightly more bass on the 700S but it could've been placebo. Those 2 Estats are known to be the most power hungry ones out there and I was already redlining the volume knob even on 700S.

There are differences but its more subtle then the community would have you believe. When I got into Stax it was a blutac modded 007mk2 out of an unmodded Stax T1S. I had someone tell me that it would sound terrible, then they admitted they never actually heard either the 007mk2 or the T1S, they were just repeating what they read.

Going from the T1S to the 717 was a noticeable improvement on the 007mk2 but going higher was less of a jump.

Working from home today listening to the 007mk2 out of the 717 and it sounds fine. Listening to some bass test songs and I would go deaf if I maxed the knob on the 717.
 
Jun 13, 2025 at 6:05 PM Post #28,118 of 28,125
I have tried SR-007 and SR-009S on Stax T8000 and SRM-Xh. Basically the lowest and the highest end amps that Stax made. And I for the love of god could not tell a difference. The only time where I felt like the amp did matter was when I was ABing Stax 006T mk2 vs Stax 700S while using DCA Corina and Audeze CRBN. I felt like there was slightly more bass on the 700S but it could've been placebo. Those 2 Estats are known to be the most power hungry ones out there and I was already redlining the volume knob even on 700S.
Look, certain things take time.
Firstly, redlining the volume knob is not how you should do things. (If we suppose that the input level for the amp is correctly set from the source.)
Get a loudness meter, make sure you are listening at safe volumes.
Also, when you just try something, you have a very limited time to try and assess things, with possibly suboptimal conditions that hinder your abilities.
Trying to be forceful to hear differences has the opposite effect. They need to come more naturally.

You might be younger, therefore have better hearing than me, but it is just as crucial if not more so, how you process that information with your brain.
That's just not something that is instantly handed over to you on a silver plate.
Has to be nurtured and from a certain point (that is a lot lower than you think), loudness will not affect your ability to "zoom in" on things.
I don't have any 'magic' tips as to how to accelerate this process (goes against the end of the first paragraph), but the more varying type of inputs you receive from various ways, preferable with an open mind (for instance, unamplified live music, maybe an audio engineer helping you spot certain things, maybe just random experiment that others did that sound illogical, weird and pointless). the better it may become. And with good headphones, there abundance of information that you can take apart and strip down virtually - the better you get at interpreting all that, you may get more rewards, albeit you may spot unpleasant things, too, that might guide you towards small improvements, or just make a conclusion that what you perceived as "good" just isn't anymore.

To give a concrete example: well over a decade ago, when I didn't have much experience, soundstage and spatial clues were interpreted differently in my brain.
I heard way more sounds from the back. Now, positioning has changed and the rear sounds are positioned level at my head (not towards the back) while other sounds are brought more forward to the front. Much more pleasing, 'earspeaker-like'. Whenever I receive a component that is new or not heard for a long time, it takes a bit of time to settle in. (how much of that is amp warm-up, longer charge on headphones some claim to improve sound quality or just brain burn-in...not easy to tell)


Each and every amp mated to each and every headphone is an individual combination with its own little characteristics.
Similar to how you can mount camera lenses to whichever body it first physically (may with an adapter). The same way you have the ability to see and tell how a camera's sensor and processor and the drawing ability (and everything else) affects image output (even if you edit it) you can also hear how each individual change may or may not affect sound.


As I've written in a past post, people visit me from time to time and their listening skills vary wildly.
Some haven't even tried serious headphones before, and yet they could point out things in a moment's notice.
Tried to fool around with them a bit, showing this and that, but they were resilient.
How? They already had 10+ years of experience meticulously tuning their speaker setup.


I don't claim to hear everything and I am sceptical about many things and I am at a point where all this switching back and forth, running around in circles is getting a bit tedious. But I do believe this is a choice (which would be having an open mind with willingness to learn whatever you are interested in) that anyone can make to move forwards. Or they can stay wherever they already are, and just enjoy music.

(Just don't try to claim/downplay that there is barely if any difference, when there are too many people claiming to hear a lot more than that "placebo" for many years.)
 
Jun 14, 2025 at 1:35 PM Post #28,120 of 28,125
I have tried SR-007 and SR-009S on Stax T8000 and SRM-Xh. Basically the lowest and the highest end amps that Stax made. And I for the love of god could not tell a difference. The only time where I felt like the amp did matter was when I was ABing Stax 006T mk2 vs Stax 700S while using DCA Corina and Audeze CRBN. I felt like there was slightly more bass on the 700S but it could've been placebo. Those 2 Estats are known to be the most power hungry ones out there and I was already redlining the volume knob even on 700S.
Not to discredit your findings, but one thing that you should keep in mind is that the stock stax amps, even the TOTL ones, are significantly less powerful and efficient than the Kevin Gilmore designs.
I have heard many of them and outside of the something at the srm-2xx tier, feel that there is very little sonic difference between something like a srm-323 and a t8000 unless it's been modified. Now a Srm-323 to a kgssHV is a worthy upgrade imo; then the next gray area is if the 2-3x price to a BHSE/carbon/MT or 4-5x to a MTxl/T2 worth it? For most people, no (despite owning those myself).
 
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Jun 14, 2025 at 3:00 PM Post #28,121 of 28,125
Now a Srm-323 to a kgssHV is a worthy upgrade imo; then the next gray area is if the 2-3x price to a BHSE/carbon/MT or 4-5x to a MTxl/T2 worth it? For most people, no (despite owning those myself).
(Just don't try to claim/downplay that there is barely if any difference, when there are too many people claiming to hear a lot more than that "placebo" for many years.)

The law of diminishing turns has to kick in eventually, also the 80/20 rule and apply it to audio.

At some point more ma of current will become irrelevant. I've seen people say buy a Carbon because its 18-22 ma of current vs the 15 ma of current of the BHSE. I think the Megatron XL is 27 ma of current. So what if you have an amp with 100ma of current? 500ma? 1,000ma? 10,000+....... You get my point. At some point the amount of engineering and circuitry needed to squeeze out minutia becomes self defeating.

The 80/20 rule, also known as the Pareto Principle, suggests that 80% of the results come from 20% of the effort or components. Applied to audio amplifiers, this concept can be interpreted in a few relevant ways:

80% of the audible performance (what most listeners can detect) may be achieved with only 20% of the total possible investment.
That means a mid-tier amp might deliver nearly all the sonic benefit of a high-end one, especially if your headphones or speakers aren’t resolving enough to show the difference.

Example:
A $500 amplifier might deliver 80% of the performance of a $5,000 reference unit—especially in terms of power, noise floor, and frequency response. That last 20% of performance may come with a large increase in cost, complexity, and diminishing returns.

In a circuit design, 20% of the components might contribute to 80% of the amplifier's sonic signature.
This might include the input stage, the power transistors/tubes, or the power supply. The rest of the components (resistors, layout tweaks, etc.) fine-tune things, but don’t radically change the sound.

80% of listeners may not notice or care about subtle amplifier characteristics, while 20% (audiophiles, engineers) pursue extreme transparency, coloration, or control.
So the amp market reflects this: a few amps cater to ultra-picky users, while the majority serve "good enough" performance needs.

Interesting enough there are people who have said headphones like the CRBN or X9000 sound better off of "entry level" Stax amps instead of the high end amps.

I'm saying this while listening on a Mjolnir-Audio CFA btw.
 
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Jun 14, 2025 at 3:49 PM Post #28,122 of 28,125
The law of diminishing turns has to kick in eventually, also the 80/20 rule and apply it to audio.

At some point more ma of current will become irrelevant. I've seen people say buy a Carbon because its 18-22 ma of current vs the 15 ma of current of the BHSE. I think the Megatron XL is 27 ma of current. So what if you have an amp with 100ma of current? 500ma? 1,000ma? 10,000+....... You get my point. At some point the amount of engineering and circuitry needed to squeeze out minutia becomes self defeating.
In a word: no. I do not care much how or why, but I have a standard KGSSHV on testing and it is similar yet different to a Carbon. From my understanding, they are using different types of transistors and power supply units, which do seem to affect sound.
Whether that is worth the extra money, I never made any claims about that.
I just tried to illustrate how they 'sound' to me, outlining what kinds of music might suit a certain amp better and why.
Highly dependent on what headphone you are intending to use it with and also the types of music which I already explained.
I definitely have a list of a few that seem well-suited to its character, others that could work with a bit of tweaking, and some others that are simply not pleasing to listen to.

Or you can completely ignore the definition of synergy plug this thing into that randomly, and not notice anything, maybe put up measurement graphs just to strengthen that bias, calling it a day. Just putting these general theories don't seem like useful advice to me, but each to his own.

Maybe one day I can test some other amps and see if they match up with different headphones better or not.

After testing many different headphones I have at least some idea of which I prefer and how they could be moved to an even better sweet spot.
I do already have established certain elements that make great sound for little money.
Those items have clear limitations by design, which I can overlook as long as they can the basics right (to my taste).
 
Jun 15, 2025 at 8:13 AM Post #28,123 of 28,125
Been eyeing random search terms on hifishark, a pastime of mine; and I stumbled upon this.
19844.png
Seems to be another 3d printed bracket. Looks quite solid.
19845.jpg

(I was wrong)
 
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Jun 15, 2025 at 9:06 AM Post #28,124 of 28,125
That’s an interesting assembly of parts. Never seen anything like it.
 
Jun 15, 2025 at 9:28 AM Post #28,125 of 28,125
That’s an interesting assembly of parts.
I know the headband. Fostex used those (and Sony I think). Clones are common and affordable.

The adapter is interesting. There seems to be some kind of a gasket.
The wooden angled spacer is quite out there. So are the pads; definitely not meant for stax given the exposed screws.

Wonder how those modifications would affect the Signature's predisposition to a sudden disintegration.
 

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