Thank you for your feedback on my bass reproduction question.
Another question I have is about the necessity of headroom for amplifiers for Stax headphones.
Current Stax headphones are specified with a sensitivity of 101 dBSPL @ 100 Vrms and 1 kHz.
There are two cases where I listen at high SPL levels up to105 dBSPL:
The SRM-D10 has a Vrms max of 200 V, so there is a headroom of 2 dB.
The other Stax amplifiers have a maximum of 300 - 470 Vrms, so they have a headroom of 5 - 10 dB.
Some people claim that a large headroom (significantly higher than 10 dB) is required to deal adequately with transients.
How is the situation with Stax headphones and amplifiers in your experience?
Another question I have is about the necessity of headroom for amplifiers for Stax headphones.
Current Stax headphones are specified with a sensitivity of 101 dBSPL @ 100 Vrms and 1 kHz.
There are two cases where I listen at high SPL levels up to105 dBSPL:
- Classical music where the rms is up to 20 dB lower than the peak of the soundfile.
- Bass-focused music. (This music is percieved as quieter than music of the same rms but with a significant part in 1 kHz - 8 kHz. This different perception is described by the Fletcher-Munson curves)
The SRM-D10 has a Vrms max of 200 V, so there is a headroom of 2 dB.
The other Stax amplifiers have a maximum of 300 - 470 Vrms, so they have a headroom of 5 - 10 dB.
Some people claim that a large headroom (significantly higher than 10 dB) is required to deal adequately with transients.
How is the situation with Stax headphones and amplifiers in your experience?