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Ahh, not all hope is lost, such subtle yet convincing contribution there catscratch
I'm not driving the HD650 to anywhere near its full potential at the moment, so it's hard for me to say how the HD650 will compare vs the L700 when equivalent-quality components are thrown at both. I have heard the HD650 in a number of quality rigs before, and have had a few over the years, but it has been a long time and I don't want to jump to conclusions from memory. FWIW I like the tonality of the HD650 more, and the wonderfully smooth way its mids transition to the highs, and the great way in which its highs are extended yet never harsh, are things the HD650 does better, to my ears, than any other headphone. But at the same time, I don't think its resolution will ever rival the L700 no matter what I throw at it, not to mention higher-end 'stats like the 007.
Right now, I like my little electrostat rig quite a lot (717 --> Neko D100 --> L700). It is musical, and it does most of the things a real high-end rig is supposed to do without breaking the bank. There is a threshold past which a system starts to disappear and leave just the music behind, and on many days, though not on all, I think this rig is past that threshold. Is it perfect? Not by a long shot. The FR, while neutral enough, does have a little bump in the upper mids and lower highs and a subtle roll-off in the deep bass. Also, if I were to descend into audiophool babblygook for a second here, I'd say that the L700 has a fairly sharp and incisive attack, and that the leading edges of sounds have a kind of crispness to them. That heightens its sense of dynamism, but also gives it a slight hardness to its mids at higher volumes, and can make it a bit fatiguing in the long term if you like your decibels. Is that the work of the FR bump in the upper mids? Who knows, but it's there.
Nevertheless, these complaints are minor. On the whole, warmly recorded material sounds warm, cold material sounds cold, dry recordings sound dry, and anything open and lush sounds, well, exactly like that. Lush and very open. And I continue to be surprised by just how much bass these drivers can put out. They don't add anything to the music, but if the bass is there, they will give it to you.
The L700 is a thoroughly competent and highly enjoyable high-end headphone. The SR-404 always felt like a compromise, something to tide you over until you get to the big boys, but the L700 is something I could probably end on in its own right. Also, the 717 drives the L700 much better than it does the 007A. Comparing the two on the 717 the L700 simply sounds more open, more clear, more alive. The 007A does show where the L700's FR deviates from neutrality, but aside from that, I'd take the L700. Now, when you throw more power at the 007, it opens up and starts resolving properly, but given that I'm going from memory here, I'll have to wait until I get my BH fixed, and then report back how the two will fare (my money's on the 007). I don't have a 009, but if it's any brighter than the L700, frankly, I'm not interested.
That's about where I am at the moment. If it sounds like I'm damning with faint praise, well, you have to understand the kind of cynical, crotchety curmudgeon you're dealing with here. You should hear me go off about most other headphones. Or better yet, you shouldn't.
Thank you very much for the comparison. I am considering the L500 or L700, and I have the HD650 right now. You said there is some sub-bass rolloff in the L700? How is the bass extension compared to the HD650s? I see that most graphs indicate good bass extension all the way to 20 Hz for most Stax models, and of course the HD650 rolls off quite a bit below 40 Hz
I think I summed the L500 and ESP950 a couple pages back.
The former is more technically able, while the latter has (to my ears) superior tonality.
I kept the latter. YMMV
I would like to open a dialogue about the L300 VS L500. What significant difference is there between the2, and is the 500 really a worthy upgrade?