Quote:
Originally posted by Tomcat
kelly is a cute raccoon with headphones. I love him. Dammit.
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I find it incredible that anyone would take my silly post as an attack on Kelly himself. If anyone should feel himself lampooned, it's the guy who joked about wanting to "beat" Kelly. I've never beaten anyone in my life.
But even that guy shouldn't feel maligned, because the person I was really making fun of was an imaginary televangelist who wants to condemn violence but is a paraphile who can't stop fondling himself while envisioning orgies of Fulci-explicit carnage.
What this has to do with headphones, I'm not certain. But what I do know is this:
bounty hunting is wrong. Be sure to spread the message.
BTW: Is there any weight at all to these discussions of a headphone's "reverb?" I get the impression this must be a common term on Head-fi (and possibly among other audiophiles), but I really don't see why. Having spent half my life watching engineers place mikes in rooms strategically, I don't see how the term can be applied to w100s, which are more dry than any room. Nor do I see the analogy between headphones and a room at all: A room isn't just walls. It's also the space between the walls, the reflectivity, etc. But there is no appreciable space between headphones and the head.
Wouldn't it be more accurate to compare the placement of headphones on the skull to the distance between a mike and the resonant part of an instrument? It's true that the sound of a kick drum can change dramatically when the mike is moved an inch from its original spot, but that's due to the architecture and resonance of the instrument (and to the quirks of the mike), not the reflections of the room. You've got overhead mikes to pick up the reverb effect, but I can't see any aspect of phones or the skull that is analogous to overheads.
But even my revision of the metaphor seems awkward because, in the aforementioned scenario, the phones would be comparable to the instrument, the head, to the mike. The idea is so recalcitrant it could be used in one of Donne's Holy Sonnets.