bigshot
Headphoneus Supremus
I have a D200, and it's a great camera. But if I was buying right now, I would buy a D90 and not a D200. It's a better sensor.
The lens kit I decided on are very similar to your choices there... The trick is to try to do everything in as few lenses as possible. When I go out to shoot, I never take more than two lenses with me. I want to be shooting pictures, not swapping lenses in and out.
I have the Nikon 18-200 VR for an all around lens, a cheap lightweight Nikon 18-55 f3.5-5.6 VR for bumming around, a Tokina 11-16 f2.8 ultra wide, Sigma 50mm f1.4 for low light, and a Tokina 100mm f2.8 macro for studio portraits and close up. The only other lens I think I'd like is the Sigma 30mm 1.4.
By the way, my Sigma 50mm f1.4 is sharper wide open than the Zeiss or the Nikon equivalents and it has much better contrast than either of them. You can't necessarily judge by brand names. It's all in the optical design. There are great third party lenses out there.
The main purpose of a fisheye is to stitch together Quicktime VRs. If you aren't doing that, a good ultrawide is a lot more useful and fun than a fish. You can still get wonky distortion if you point up or down, but you get good straight lines straight on. More versatile.
I'd also suggest starting with a D90 and the 18-200 VR. That will get you going. You might even find you don't need any more lenses.
One other tip... Don't underestimate the value of a point and shoot or pocket camera. A good small camera will get pictures you'll never get with a DSLR. The camera that takes the best pictures is the one that isn't at home in a camera bag in the closet.
There are some sample shots of a couple of my lenses on my personal blog Late Night Coffee Shops
See ya
Steve
The lens kit I decided on are very similar to your choices there... The trick is to try to do everything in as few lenses as possible. When I go out to shoot, I never take more than two lenses with me. I want to be shooting pictures, not swapping lenses in and out.
I have the Nikon 18-200 VR for an all around lens, a cheap lightweight Nikon 18-55 f3.5-5.6 VR for bumming around, a Tokina 11-16 f2.8 ultra wide, Sigma 50mm f1.4 for low light, and a Tokina 100mm f2.8 macro for studio portraits and close up. The only other lens I think I'd like is the Sigma 30mm 1.4.
By the way, my Sigma 50mm f1.4 is sharper wide open than the Zeiss or the Nikon equivalents and it has much better contrast than either of them. You can't necessarily judge by brand names. It's all in the optical design. There are great third party lenses out there.
The main purpose of a fisheye is to stitch together Quicktime VRs. If you aren't doing that, a good ultrawide is a lot more useful and fun than a fish. You can still get wonky distortion if you point up or down, but you get good straight lines straight on. More versatile.
I'd also suggest starting with a D90 and the 18-200 VR. That will get you going. You might even find you don't need any more lenses.
One other tip... Don't underestimate the value of a point and shoot or pocket camera. A good small camera will get pictures you'll never get with a DSLR. The camera that takes the best pictures is the one that isn't at home in a camera bag in the closet.
There are some sample shots of a couple of my lenses on my personal blog Late Night Coffee Shops
See ya
Steve