Very plain example - Papa Roach "Infest". Only the 320kb/s bitrate is able to fully reproduce the guitar's timbre.
Quote:
The general idea is that a VBR file will sound better than a CBR file of the same size. |
ROTFL!
Less bits = higher quality.
Can you decrease the quality by using more bits? Think. 320kb/s LAME sounds better than -V0, sounds better than -V0 -q 0 as well. What I observed in the mp3's SQ is: 320kb/s FhG > 320kb/s LAME > 256kb/s FhG > 256kb/s LAME > VBR -V0 LAME. If you don't hear the difference, be happy with your VBR. Here are some clues how to recognize the following codecs and their flaws:
- 320kb/s FhG - very slight rolloff in the highs
- 320kb/s LAME (preset insane) - too sweet midrange, slightly instable soundstage
- 256kb/s LAME - slightly incomplete midrange, instable imaging
- 256kb/s FhG - slight treble rolloff, delicate midrange decoloration
- LAME -V0 - cold midrange, slightly blurry sounds
- wma 320kb/s CBR - slightly hardened bass, decolorated midrange
- wma VBR 98 - slightly U-shaped sound, nasal midrange coloration (applies to most wma actually)
As a general rule - the soundstage in LAME mp3's sucks in all modes besides VBR and -m s switch usage. Using 320kb/s in ABR mode saves 0-20kb/s per track causing audible treble rolloff, so makes no sense. Direct comparing 320kb/s LAME vs, FhG shows slight rolloff in the FhG encoder but there is more textural information in the FhG mp3's and more correct spatial imaging. LAME loses some details in comparison to FhG, and comparing both 320kb/s to the original, the FhG is closer. So, use WMP10/11, or invest in the dBpowerAmp Reference, it's not that expensive.