audiobomber
500+ Head-Fier
I'm open minded, and I actually enjoy learning from being proved wrong. I'm not religious about my technical understanding and beliefs. (I'm just religious about my religious beliefs. God bless you.)
I am not qualified to explain, but here are a couple of references that might:So if you have an explanation or even a theory about how an Ethernet cable can impact the "width of the sound stage" or "warmth of tone" or "instrument separation", I really want to understand. (The last time I said this, a mod deleted the message, so make sure to respond quickly.)
Twisted-pair Ethernet cabling is considered a mature and reliable technology that has been trusted with 10Base-T and 100Base-T data rates for many years. However, as high-speed Ethernet traffic reaches 1 gigabit per second (Gbit/s) and higher, designers have to deal with the reality that signals are less forgiving of cable inconsistencies and become more susceptible to interference, crosstalk, impedance loss, return loss due to reflected signals, and attenuation. The issues are exacerbated as cable lengths increase...
https://www.digikey.ca/en/articles/...pedance is 100,conductors in the twisted pair
I would say that a finely tuned audio system and a discriminating audiophile are "less forgiving" than general ethernet uses.
Leakage current can flow through power cables, audio interconnects, digital cables, including Ethernet and
USB cables. The leakage will flow from a power supply, through a cable to another device or component,
then through that device or component’s respective power supply back to the AC mains. Alternatively it can
flow through a cable to another box and then through a safety ground (the “third pin” of an AC plug) and
return back to the AC mains.
All copper Ethernet connections have transformers in each device port, and these transformers will block DC
and low-source-impedance leakage. However, they DO NOT block high-source-impedance AC leakage. This is
particularly important for digital networks used for audio.
https://uptoneaudio.com/pages/j-swenson-tech-corner
By implementing shielding, Ethernet cables are able to maintain a high signal integrity, ensuring that data transmission is accurate and free from errors. The shielding acts as a barrier, preventing external signals from penetrating the cable and interfering with the data being transmitted. This is particularly important in environments where there are numerous electronic devices or high levels of electromagnetic activity.
https://www.genuinemodules.com/what-does-shielding-do-on-ethernet-cable_a1929
IME, shielded and/or foil-shielded cables outperform UTP cables. I have tried many generic ethernet cables, along with many used by audiophiles, i.e. Supra CAT8, Melco C100, Furutech LAN-8 NCF, Sablon 2020, and a few from Audio Sensibility; Supra Super, Signature and Signature I2S. I use Furutech (modified), Audio Sensibility Signature and Signature I2S in my main system, because this combo sounds best. I did not like the Supra, Sablon or Melco ethernet cables.
I am careful about using shield-tied cables appropriately. as explained in this WBF post:
https://www.whatsbestforum.com/threads/ethernet-cables-to-and-from-your-switch.36882/#post-880698
If you truly are not dogmatic, try my favourite inexpensive Amazon cables: Tera Grand CAT7 and/or Yauhody CAT8. The Tera Grand leans to brighter, more detailed, the Yauhody is warmer, darker. I use them in my secondary systems to affect tonality. Both are good, both are sonically compromised compared to my best cables. If you need cables that don't have grounded shields, BJC CAT6a is ok, quite dark sounding, with a slightly compressed soundstage. I recently bought a Tera Grand CAT6 cable but I haven't done any critical listening yet.