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Hey... thanks for this excellent, excellent post.
Originally Posted by Eagle_Driver /img/forum/go_quote.gif I have not yet received the Mono box, but I have always felt that the original CD releases of the first four albums had been butchered to begin with. First off, they transferred the mono tapes using a stereo tape machine! This alone begins the wackiness of the sound quality of the first four albums on the original CDs. Then, they used one of three methods of getting the "mono" sound onto a stereo CD:
Help! and Rubber Soul were remixed for the 1980s CDs, with additional digital reverb. It's somewhat unfortunate that the new 2009 stereo remasters of those two albums use the same 1987 digital remixes as the original CDs; however, the new ones sound a little better than the older CDs (which had been limited in sound quality due to the limitations of digital mastering technology of that era). Thankfully, the original 1965 stereo mixes are available as bonuses in the mono boxed set. The original Revolver CD had been transferred on an improperly-aligned tape machine, while a backup safety tape was used in the original Sgt. Pepper transfer (as the original master stereo mix tape had been misplaced at the time). And these are just the most noteworthy flaws of the original 1986-87 CDs. The original 1988 Past Masters (Volume I) used a thin, wonky-sounding transfer of the 1966 stereo mix of "I Want To Hold Your Hand" (the sound of that same track is fuller on the 2009 remaster of this comp). The two German-language tracks were stereo folded down nearly to mono, but still could be expanded back to the original twin-track-style wide stereo with digital processing. By the way, the individual 2009 remasters are all in stereo where stereo tape sources are available. (This includes the first four albums.) And thankfully, (original) mono tape sources are used in place of the fake stereo for those tracks which had never been mixed into stereo (the exception being the Ringo-on-drums version of "Love Me Do" on Past Masters I and Mono Masters, which was mastered from a declicked vinyl source). And in case of the Yellow Submarine album in the remasters, the actual mono mix of "Only A Northern Song" was used in place of either the fake stereo copy (as used in all pre-2009 stereo releases of YS) or a fold-down of the fake stereo (as used on the original mono YS album--in fact, that entire mono LP was a fold-down of the compiled stereo LP master, with the two channels combined into one during lacquer cutting; this was done because either a mono tape machine was unavailable at the time of mastering or no mono mix had been made of the George Martin instrumentals). The other three tracks which appeared on YS also use the actual mono mixes in the mono boxed set (they are in stereo on the individual CD). Also noteworthy is a seldom-heard stereo version of "Thank You Girl" on Past Masters I, which is essentially the mix used on the Beatles' Second Album (one of many Beatles albums assembled by Capitol from leftover album tracks and A- and B- single sides between 1964 and 1966) but without the added canned Capitol echo. |
Hey... thanks for this excellent, excellent post.
