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Wow. That's some crazy shipping scheme. At least the story has a happy ending.
Here's the best part though.
My roommate bought a Shure SRH750DJ a few months back. So all the time I've been reading up on ATH M50 here at HFi, there were lots of threads contemplating on how the SRH750 was a very competitive match against the M50. This made me worried about how I might have been better off also getting a SRH750 instead of the M50.
Well, roommate just came back and I asked him to lend the Shures to me for 10 mins to do some comparison. Guess what? The Shure got beaten in every way possible...
Build quality? The SRH750 was a plasticky piece of junk compared to the M50, the 750 creaked at every touch, sound hollow when you tap on it, and was loose all over. The M50, on the other hand, was solid high-grade plastic reinforced with metal, with smooth precision-crafted joints with absolutely no creaking at all.
Comfort? The SRH750 has a very unforgivingly small range of head-size adjustment in its head band, an absurd amount of clamping force, overly hard pleather cushions (not caused by roommate's usage, I recall the pleather being this hard since he bought it last year), and horrendous point-pressure at the tip of the skull due to the spongebob shape of the head band. Pretty much the opposite for the M50.
Now comes the good part, the sound. I was surprised to find that the SRH750 sounded rather anemic in the bass department compared to the M50; the 750 bass sounded MAYBE JUST A BIT smoother but hey it was burned in already, in terms of amount, deepness, and punchiness, on the other hand, M50 got it, hands down. They both had slightly recessed mids, however the M50's mids presented much more accuracy, and voices had way more fidelity to them...SRH750's presentation of voices was slightly metallic and not quite fully there. The treble extension and presence was nice in both pairs of cans though.
Needless to say, I handed the Shures back to the roommate with a big smile on my face.