Hello, bong. I would be happy to clarify my post.
The point I'm trying to make is that the music I loved didn't dominate the airwaves in the 80s like later music did and does now. This is sad because I think that music should have developed more quickly than it did in the 80s.
As for the synthesizer, I like the synthesizer, but not the way it was used. This is a generalization, so there are exceptions of course, but I could not get into the sound of old skool synthesizers as the heart of the melody. For example, Vince Clarke did dazzling things with the synthesizer, but that kind of music left me feeling depressed, and I don't think it was intentional. I was a Eurythmics fan for much of the 80s and you could say Dave Stewart was talented too, but really it was songs like Would I Lie To You that did it for me. It just took me a long time to figure it out, because it was all you'd ever see on Top Of The Pops.
It's like trying to listen to a song on a monophonic ringtone. There's a lot more music to be mined underneath the melody (like ambience, bassline and rhythm), and if the synthesizer melody sounds so crude, I don't think it should be the centrepiece of the music.
Now a good example of synthesizer in an 80s song is OMDs Messages. There's real drums, a very meaty bassline, an organ for ambience, and frugal use of synthesizer. You can hear several notes at once, and it all works well together.
At the time, one of my favorite dance songs was Touched By The Hand of God. The growling bass line, and soaring highs gave it a romantic feel... but only in patches. I felt that synth pop really fit me right when Violator came out (check out my post there
)
For your other concern, the soul I'm talking about isn't the soul you put into the song, but the soul that comes out of the speakers and grooves in a nonhigh-tech, and funky way.
In '88, all the indie kids brought the guitar back into focus. Melodies were more playful, and sounds were more organic, and human sounding. There was more soul, man. (insert hippie icon here)