ccontreras
100+ Head-Fier
- Joined
- Jul 16, 2004
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I'm into opamps mostly for modding almost all my source components (CD players, DAC, etc). This is something that has surprised me while reading this forums: lots of opamp discussion, but little or no time focused on source components.
I see all of you analyzing different opamps performance, different topologies, buffering, etc. and its impact on the sound on the amplification stage.
Do you realise that maybe you're feeding a great opamp (say, a AD825, AD826, OPAs or whatever) from a couple of cents worth opamps (the ubitiquous NJM2114 and the like)? yeah! the ones at your CD player??
There is an old golden rule in audio: the sound quality is that of the weakest link in the chain. If you want to improve sound, why don't you improve it from the start? At the CD player??? the DAC?
The most you're going to achieve is the quality at that source component. If it produces crap, you're going to end with a marvellous, lively, warmthly and detailed amplified crap.
My 999es
before NJM2114 - Now AD8620 (front 5,1) and AD826 in stereo out.
I see all of you analyzing different opamps performance, different topologies, buffering, etc. and its impact on the sound on the amplification stage.
Do you realise that maybe you're feeding a great opamp (say, a AD825, AD826, OPAs or whatever) from a couple of cents worth opamps (the ubitiquous NJM2114 and the like)? yeah! the ones at your CD player??
There is an old golden rule in audio: the sound quality is that of the weakest link in the chain. If you want to improve sound, why don't you improve it from the start? At the CD player??? the DAC?
The most you're going to achieve is the quality at that source component. If it produces crap, you're going to end with a marvellous, lively, warmthly and detailed amplified crap.
My 999es
before NJM2114 - Now AD8620 (front 5,1) and AD826 in stereo out.