gerG
Headphoneus Supremus
I hadn't seen any posted yet. Please forgive if this is old news.
I was over-due for something new, and the SA5000 looked different. Man, they are that! My head still needs to break in, so limited impressions.
First plot is SA5000 (pink) vs the HD650 (blue). Lively but choppy were my impressions prior to measurement.
Next plot is same cans, without my head in the way (uncoupled). Sonys mysteriously turn orange (software feature). I have been learning a lot with this type of measurement, but my setup is not consistent yet. I am working on a coupler that will merge the two techniques, but it needs work. Anyway it takes the internal reflections out of the way.
The Sonys only have a couple of hours on them, while the Sens have all of 10 to 20 hours on them. The Sonys have a bunch of catching up to do. I will feed them pink noise for awhile.
gerG
Update April 24, 2005
Thunderstorm kept me awake last night, so I took some more data. This is after about 12 hours of noise, sine waves, and tunes. I also changed sources, generating signals from the computer: usb >dpu50>toslink>deq>grace901. Deq was not doing anything, it was just in the particular system that I was using. Shoulda gone direct to a 902, but it was on my music source at the time.
Anyway, first one compares tone sweep vs pink noise. Tone sweep is the upper trace. The sweep usually has trouble resolving bass response. Probably operator error. I also did some sine waves, but they agreed with the PN pretty well.
Next lets do SA5k with the lovely DT880. From now on I will try to make the SA5k the blue trace. Sorry about all of the color swaps:
and finally I could not resist trying with the Sony F1:
gerG
Another short update 050423
Why the heck am I waiting for burn-in? The bass deficiency and edgy brightness are starting to bug me. 5 minutes of dialing on the eq gave me this...
This will get me through the week. If they decide to change any at all I will adjust eq, and post results with and without eq.
__________________________________
Update 050507
Up to about 50 hrs on them now.
Right vs left shown below. Right is the dark blue. That is the side that I have been posting results from:
There was a request for response with an 120 ohm adapter. Blue line is without, green line is with. As you can see, it makes absolutely no difference in the response with these headphones other than level, and I compensated for that (mostly) by turning up the amp. Sony had a circuit in the F1 that yielded this result, so I would guess that they used it here as well.
I was also asked about my equalizer settings for the SA5K. It is shown below. I am using a behringer deq2496 in true response mode. That means the adjacent sliders do not effect each other, as they would in an analog eq. There is also no phase shifting. This is a much more severe correction than I normally apply, but it works quite well for me. I have found that as most headphones break in the amount of eq can be decreased to yield the same result.
Forgot to mention, the preamp is set at -3db offset to keep the output off the ceiling.
gerG
I was over-due for something new, and the SA5000 looked different. Man, they are that! My head still needs to break in, so limited impressions.
First plot is SA5000 (pink) vs the HD650 (blue). Lively but choppy were my impressions prior to measurement.
Next plot is same cans, without my head in the way (uncoupled). Sonys mysteriously turn orange (software feature). I have been learning a lot with this type of measurement, but my setup is not consistent yet. I am working on a coupler that will merge the two techniques, but it needs work. Anyway it takes the internal reflections out of the way.
The Sonys only have a couple of hours on them, while the Sens have all of 10 to 20 hours on them. The Sonys have a bunch of catching up to do. I will feed them pink noise for awhile.
gerG
Update April 24, 2005
Thunderstorm kept me awake last night, so I took some more data. This is after about 12 hours of noise, sine waves, and tunes. I also changed sources, generating signals from the computer: usb >dpu50>toslink>deq>grace901. Deq was not doing anything, it was just in the particular system that I was using. Shoulda gone direct to a 902, but it was on my music source at the time.
Anyway, first one compares tone sweep vs pink noise. Tone sweep is the upper trace. The sweep usually has trouble resolving bass response. Probably operator error. I also did some sine waves, but they agreed with the PN pretty well.
Next lets do SA5k with the lovely DT880. From now on I will try to make the SA5k the blue trace. Sorry about all of the color swaps:
and finally I could not resist trying with the Sony F1:
gerG
Another short update 050423
Why the heck am I waiting for burn-in? The bass deficiency and edgy brightness are starting to bug me. 5 minutes of dialing on the eq gave me this...
This will get me through the week. If they decide to change any at all I will adjust eq, and post results with and without eq.
__________________________________
Update 050507
Up to about 50 hrs on them now.
Right vs left shown below. Right is the dark blue. That is the side that I have been posting results from:
There was a request for response with an 120 ohm adapter. Blue line is without, green line is with. As you can see, it makes absolutely no difference in the response with these headphones other than level, and I compensated for that (mostly) by turning up the amp. Sony had a circuit in the F1 that yielded this result, so I would guess that they used it here as well.
I was also asked about my equalizer settings for the SA5K. It is shown below. I am using a behringer deq2496 in true response mode. That means the adjacent sliders do not effect each other, as they would in an analog eq. There is also no phase shifting. This is a much more severe correction than I normally apply, but it works quite well for me. I have found that as most headphones break in the amount of eq can be decreased to yield the same result.
Forgot to mention, the preamp is set at -3db offset to keep the output off the ceiling.
gerG