Pedro, sounds like you've been looking to get the Amperior for a while. I just picked one up. I have a pair of badly beaten hd-25s and have just obtained an Amperior which I've been enjoying all weekend.
The HD25 is a classic headphone, and for DJ and those in media, practically legendary. My HD-25s are not quite in the state to be tested against the Amperior, but in my recollection the Amperior seems just that bit more refined. It's still a big thick wall of sound. Bright and almost harsh, the Amperior runs 'hot' which is one the main reasons it works so well for DJ mixing.
I'm still debating keeping it. Even though I just got it, it may have made sense to make the small repairs to my old pair to get them running. I'll probably do that and maybe sell it to fund these guys. The cord is just a bit too frail to do DJ work, but I could get away with it, perhaps get an extension that can plug into the top line of the Amperiors cord.
I recently compared them against the other headphones I have:
http://www.head-fi.org/t/720330/minor-headphone-battle-amperior-vs-ah-d600-vs-mdr-ex600
I also owned the MDR-1r before, and it was a good headphone, but was surprised that I still preferred my Sony MDR-EX600 as it had for the most part the same and in most cases better timbre, it also produced rich sub bass where it was practically absent on the MDR-1r. Also the MDR-1r failed as an on the go, just too large for my preferences. Having the EX600 it was just too much overlap. I got the Denon AH-D600 for my laid back bass headphone and it's great at that. Electronic music is really good on it. Worth a consideration, but again it is far too large to be an on the go headphone. It's also very coloured.
Both the EX600 and Denon AH-D600 are far more 'pleasing' sounding then the HD-25/amperior. Yet, the HD-25/Amperior is a whole different experience. I am leaning on keeping it, even though it can't do what my other headphones do. It could be very useful for the music engineering/composing and dj work I do for time to time.
But on sound quality, the thing is the Amperior surprises. The more critical listening I do with it, the more and more I like it. Even though it's a bit congested where all my other headphone have space, everything on the Amperior is present. You acclimate to its sound, one that is more 'flat' like a studio monitor and it works well for many genres. Also I think some people mistake flat for being the same as neutral. The EX600 is neutral and you can see this look at its frequency curves. A flat sounding speaker can be a bit harsh, consumers for the most part would hate it, and here it is. It's great for engineers, but it isn't necessarily the type of frequency response you want for 'enjoyment'.
Of course, this is the subjective part of listening. Listening on the Amperior and HD25 is like using a sonic scalpel. It's a precision tool, an assault of frequencies being blasted into your ear-drum. It can be a bit torturous and rewarding at the same time. What I'm finding though, is that with music, I'd rather have my ears hear all the frequencies and let my brain do the tuning.
Bottom line if you love your HD-25s you very much like the Amperiors. I'm interested to eventually try out some other headphones like the KEF500, but this is a tool I know very well.
Below is a photo of my old set. I gave them to a friend who long story travelled the world and had the time of his life (continues to do so). He loved these headphones, and they went with him everywhere, through rain or shine and even through a serious vehicle accident which he survived. The headphones bare all these scars. He was still listening to them in the state they were in and I gave another pair (Koss DJ100 - they are actually pretty good performers and very tough too).
The HD25 is a classic headphone, and for DJ and those in media, practically legendary. My HD-25s are not quite in the state to be tested against the Amperior, but in my recollection the Amperior seems just that bit more refined. It's still a big thick wall of sound. Bright and almost harsh, the Amperior runs 'hot' which is one the main reasons it works so well for DJ mixing.
I'm still debating keeping it. Even though I just got it, it may have made sense to make the small repairs to my old pair to get them running. I'll probably do that and maybe sell it to fund these guys. The cord is just a bit too frail to do DJ work, but I could get away with it, perhaps get an extension that can plug into the top line of the Amperiors cord.
I recently compared them against the other headphones I have:
http://www.head-fi.org/t/720330/minor-headphone-battle-amperior-vs-ah-d600-vs-mdr-ex600
I also owned the MDR-1r before, and it was a good headphone, but was surprised that I still preferred my Sony MDR-EX600 as it had for the most part the same and in most cases better timbre, it also produced rich sub bass where it was practically absent on the MDR-1r. Also the MDR-1r failed as an on the go, just too large for my preferences. Having the EX600 it was just too much overlap. I got the Denon AH-D600 for my laid back bass headphone and it's great at that. Electronic music is really good on it. Worth a consideration, but again it is far too large to be an on the go headphone. It's also very coloured.
Both the EX600 and Denon AH-D600 are far more 'pleasing' sounding then the HD-25/amperior. Yet, the HD-25/Amperior is a whole different experience. I am leaning on keeping it, even though it can't do what my other headphones do. It could be very useful for the music engineering/composing and dj work I do for time to time.
But on sound quality, the thing is the Amperior surprises. The more critical listening I do with it, the more and more I like it. Even though it's a bit congested where all my other headphone have space, everything on the Amperior is present. You acclimate to its sound, one that is more 'flat' like a studio monitor and it works well for many genres. Also I think some people mistake flat for being the same as neutral. The EX600 is neutral and you can see this look at its frequency curves. A flat sounding speaker can be a bit harsh, consumers for the most part would hate it, and here it is. It's great for engineers, but it isn't necessarily the type of frequency response you want for 'enjoyment'.
Of course, this is the subjective part of listening. Listening on the Amperior and HD25 is like using a sonic scalpel. It's a precision tool, an assault of frequencies being blasted into your ear-drum. It can be a bit torturous and rewarding at the same time. What I'm finding though, is that with music, I'd rather have my ears hear all the frequencies and let my brain do the tuning.
Bottom line if you love your HD-25s you very much like the Amperiors. I'm interested to eventually try out some other headphones like the KEF500, but this is a tool I know very well.
Below is a photo of my old set. I gave them to a friend who long story travelled the world and had the time of his life (continues to do so). He loved these headphones, and they went with him everywhere, through rain or shine and even through a serious vehicle accident which he survived. The headphones bare all these scars. He was still listening to them in the state they were in and I gave another pair (Koss DJ100 - they are actually pretty good performers and very tough too).