Doc Sarvis
1000+ Head-Fier
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- Nov 24, 2002
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Well, I've just started listening to the new Maxim Shostakovich set.
I was a little ambivalent at first because, as a former brass player, a solid trumpet section is very important to me. The Czech orchestra represented here is less prominent than I'm used to, (DH called them "watery"), and as a result it takes some getting used to. For example, my first listen (as is always the case with Shosty sets) was the 7th, and my mind kept wandering back to the magnificent Bernstein/CSO resording (not a fair comparison I know). But then, in that same listen, I noticed the incredible inner detail (specifically the woodwinds) that others have commented on and that makes this a special set. I would say that this 7th has the best third movement of any I've ever heard.
I'e been through 1-4 as well, and the same general rule applies. All in all this seems like a very solid set, unique and worthwhile for its woodwind emphasis. So far it does not threaten to topple Kondrashin interpretively, but I am still too early in it to make any sweeping statements. Sound is good - but nowhere near Kitajenko.
So far, I hold my recommendation of Kondrashin for performance and Kitajenko for sound, with miscellaneous single works thrown in. Maxim makes a very interesting addition, especially for those interested in hearing a new sonic balance. Shosty continues to present new depths for me - I'm solidly in his camp of admirers.
Would love to hear others' comments. I still reserve the right to change my mind after hearing the whole thing...
I was a little ambivalent at first because, as a former brass player, a solid trumpet section is very important to me. The Czech orchestra represented here is less prominent than I'm used to, (DH called them "watery"), and as a result it takes some getting used to. For example, my first listen (as is always the case with Shosty sets) was the 7th, and my mind kept wandering back to the magnificent Bernstein/CSO resording (not a fair comparison I know). But then, in that same listen, I noticed the incredible inner detail (specifically the woodwinds) that others have commented on and that makes this a special set. I would say that this 7th has the best third movement of any I've ever heard.
I'e been through 1-4 as well, and the same general rule applies. All in all this seems like a very solid set, unique and worthwhile for its woodwind emphasis. So far it does not threaten to topple Kondrashin interpretively, but I am still too early in it to make any sweeping statements. Sound is good - but nowhere near Kitajenko.
So far, I hold my recommendation of Kondrashin for performance and Kitajenko for sound, with miscellaneous single works thrown in. Maxim makes a very interesting addition, especially for those interested in hearing a new sonic balance. Shosty continues to present new depths for me - I'm solidly in his camp of admirers.
Would love to hear others' comments. I still reserve the right to change my mind after hearing the whole thing...