Solrighal
Headphoneus Supremus
- Joined
- Jan 27, 2005
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Are there any phones with comparable sound signatures to the 650s, but have a larger soundstage?
Not that I've heard, no.
Are there any phones with comparable sound signatures to the 650s, but have a larger soundstage?
Are there any phones with comparable sound signatures to the 650s, but have a larger soundstage?
None that I've tried. It's very hard to do warmth with a huge soundstage.
That wasn't my point. My point was considering everything we do in this hobby, I'm always drawn back to the HD650s because they do so much right for me.
Yea, I was wondering if it were possible. I haven't heard that many phones, especially at the $500-and-up level. The LCD-2 is supposed to have a "darker" signature, but I don't know how much a difference there is between the 650. The HeadRoom FR graphs shows some similarities, but I'm not sure about the soundstage comparison (or comfort).
Just got my HD650's in from Amazon, These things aren't even broken in yet and I already feel like they are sexually assaulting my ears.
I've got ATH-M50x's for my closed cans and now these for my open, both amazing headphones.
This is turning into a bad obsession.
I listened to LCD-2's for two years straight and IMO the 650 with the right amp is more enjoyable across the board. The 650 soundstage is bigger and image outlines are much better defined.
What about the HDVA 600? I'm actually currently thinking of trading my K812 for an LCD-2, if I like it I might sell the HD650. But the comfort factor is a concern..
Here's an odd thing. I almost always listen to my 650's using EQ of some description. It's not because I perceive a weakness that I'm trying to compensate for as such, just that I have tended to prefer them (and all my other headphones too, for that matter) this way. Well, all morning, for the first time in years, I've been listening to classical music. At the moment it's a Mendelssohn violin concerto and I just can live with EQ of any description. They sound much better flat, with no EQ at all. Imaging is vastly superior in my opinion and the tonality of violins in particular is wonderful. It's not like my normal listening tastes are for the overly processed music currently sitting in the charts either. I tend to listen to more folky stuff like Bonnie 'Prince' Billy and the like. When I push the boat out it's usually for older Mike Oldfield, Yello & Royksöpp. Who knows what 'natural' is to those artists.
I've also been of the opinion that my Forza Audioworks cable added little to the experience. Not now. The aftermarket cable is far superior in resolution and, dare I say it, timing.
I'm guessing that these days ALL music is processed to such a degree that any sense of reality is extinguished from the final mix and so EQ is perfectly acceptable because the engineer has already decided there's no 'right' way to hear the sound. I don't know. This has been an eye-opener for me. Further scrutiny is required. Can't wait.
Am I alone in thinking this way?