One benefit of having at least one pair of bright sounding headphones (like the T90, HD 800, etc) is that they can be like a microscope for revealing differences/improvements in whatever upstream gear changes you make. A warmer sounding headphone may be pleasant for everyday listening, but it isn't really going to have the resolving power that's needed to tell you exactly what is going on whenever you switch to a new piece of gear.
This is why most studio monitors tend to be on the brighter side of neutral, not because it necessarily sounds better that way, but because it allows the engineer to easily hear and correct for any imperfections as they pop up while recording, mixing or mastering.
This is why most studio monitors tend to be on the brighter side of neutral, not because it necessarily sounds better that way, but because it allows the engineer to easily hear and correct for any imperfections as they pop up while recording, mixing or mastering.