I need this here hive mind's help with something that's been bugging me for (literally) years, if you'd kindly allow me to steer this thread away from the usual sign wave content and perpetual debate about everything that Schiit does wrong. Just for a second, I promise.
So, the second movement ("Menuetto. Allegro con moto," but sometimes also called "Tempo di Valse") of Antonín Dvořák's Serenade for Strings in E major, Op. 22 (B. 52).
I think most of us have heard it somewhere at least once or twice, right? So a certain "sense of familiarity" is pretty much unavoidable when one hears that particular piece.
But…
Whenever I hear that movement's theme,
especially in its fully orchestrated version, I get practically steamrolled by a sense of deep intimacy with that piece that I just can't explain to myself. It's not like "Oh, I think I've heard that before somewhere. I like it. Let's move on."
God, no. I wish!
Instead, it's much more like a feeling of "GOSHDARNITNOTAGAINWHERETHEHELLDOIKNOWTHIS****INGPIECEFROMAAARRRGGGHHH!!!" … to put it lightly.
It feels to me like I must have been listening to it for at least a thousand times when I was a child or "youth," if you will. But I'll be damned if I could put my finger on why, though.
This movement must have been used in some form of "popular culture" around that time, meaning at some point in the 80s or early 90s. Maybe in some German TV ad, or as the theme of a German TV production of some sort, or maybe on the soundtrack of some German or American movie. I have absolutely no idea.
The usual go-to resources I have already exhausted; Google and Wikipedia were of no help. So, my hope is that maybe one of you folks can point me into a direction that would allow me to figure out what they used that darned movement for way back when so that I can
!finally! ease my pain with this "inverse ear worm" of sorts.
I don't often do this. Asking for help, I mean. But…
Help!