macdonjh
Headphoneus Supremus
- Joined
- Sep 16, 2015
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Gungnir first impressions:
Wait, first a story: my Gungnir arrived yesterday. It was immediately unboxed, "installed" and set to warming up. Also photographed and bragged about. Three hours or so later I sat down to try it. Horrible static, so loud I almost couldn't hear the music through it, in the right channel. Several trouble shooting attempts followed without success. Several rapid-fire PMs through Head-fi to the seller followed. He's been great, good people populate this site. I filed a help ticket with Schiit support, but they haven't gotten back to me yet. The left channel sounded beguiling...
Another three hours or so later, as I was sliding into bed, I turned the volume up from 0 to "pretty loud" and didn't hear a thing. The static was gone. Hmmm. Fast forward another few hours to after my morning shower. I put my headphones on and started my DAP. Clean sound injected directly to both ears. Go figure.
So, as soon as I got home I turned my DAP on, put my headphones on and listened to a lot of unfamiliar music. About ninety minutes worth. These are most assuredly first impressions without the benefit or hinderance of A/B comparison with my much more familiar Bifrost I, or my normal audition tracks. The mids and highs are very liquid. Very smooth and detailed. In comparison with my aural memory of the sound of my Bifrost there is less grain. Overall, bass from the delta-sigma Gungnir is shelved down noticeably compared to my multi-bit Bifrost. Bass is plenty deep/ extended, but it's not level with the mids and highs. Gungnir seems a bit more articulate, a bit more capable of keeping different sounds separated and distinct than Bifrost. I don't me instrument separation in the sense of individual placement within the soundstage. I mean making various sounds happening at once audible as separate entities if you are trying to pick the sounds apart, or as a cohesive whole if that's how you choose to hear at that moment. Perhaps "intelligibility", as people us it when trying to describe being able to hear their companions' voices in a crowded, noisy place, is a good adjective for this.
The most memorable track from this afternoon was one by Messa (I can't remember the song's title). It begins with Sara's breathy voice sounding like she's at the bottom of a well. The ambience and reverb are spooky and wonderful. When the guitars enter, after a couple of minutes, they are crunchy and nasty sounding, in a good way. For most of the song, one guitar is buzzing in the center of your right ear, like it's whispering to you. Since it's so disconnected from the rest of the band, spread from "center stage" to the extreme left, it's distracting, fun, frustrating and interesting all at the same time.
Since I've so little time with this new DAC I'm sure there is more than a dollop of the Argle Bargle Effect in all of this.
Wait, first a story: my Gungnir arrived yesterday. It was immediately unboxed, "installed" and set to warming up. Also photographed and bragged about. Three hours or so later I sat down to try it. Horrible static, so loud I almost couldn't hear the music through it, in the right channel. Several trouble shooting attempts followed without success. Several rapid-fire PMs through Head-fi to the seller followed. He's been great, good people populate this site. I filed a help ticket with Schiit support, but they haven't gotten back to me yet. The left channel sounded beguiling...
Another three hours or so later, as I was sliding into bed, I turned the volume up from 0 to "pretty loud" and didn't hear a thing. The static was gone. Hmmm. Fast forward another few hours to after my morning shower. I put my headphones on and started my DAP. Clean sound injected directly to both ears. Go figure.
So, as soon as I got home I turned my DAP on, put my headphones on and listened to a lot of unfamiliar music. About ninety minutes worth. These are most assuredly first impressions without the benefit or hinderance of A/B comparison with my much more familiar Bifrost I, or my normal audition tracks. The mids and highs are very liquid. Very smooth and detailed. In comparison with my aural memory of the sound of my Bifrost there is less grain. Overall, bass from the delta-sigma Gungnir is shelved down noticeably compared to my multi-bit Bifrost. Bass is plenty deep/ extended, but it's not level with the mids and highs. Gungnir seems a bit more articulate, a bit more capable of keeping different sounds separated and distinct than Bifrost. I don't me instrument separation in the sense of individual placement within the soundstage. I mean making various sounds happening at once audible as separate entities if you are trying to pick the sounds apart, or as a cohesive whole if that's how you choose to hear at that moment. Perhaps "intelligibility", as people us it when trying to describe being able to hear their companions' voices in a crowded, noisy place, is a good adjective for this.
The most memorable track from this afternoon was one by Messa (I can't remember the song's title). It begins with Sara's breathy voice sounding like she's at the bottom of a well. The ambience and reverb are spooky and wonderful. When the guitars enter, after a couple of minutes, they are crunchy and nasty sounding, in a good way. For most of the song, one guitar is buzzing in the center of your right ear, like it's whispering to you. Since it's so disconnected from the rest of the band, spread from "center stage" to the extreme left, it's distracting, fun, frustrating and interesting all at the same time.
Since I've so little time with this new DAC I'm sure there is more than a dollop of the Argle Bargle Effect in all of this.