franz12
Headphoneus Supremus
- Joined
- Apr 11, 2016
- Posts
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placed an order on Jot R early in the morning immediately after I saw the post by Jason. Hope to see a shipping confirmation soon.
My 1st OS was CP/M on a Kaypro.
My 1st OS was CP/M on a Kaypro.
It would be funny to throw a Vali 2 in the mix, since it has literally 1000x the distortion of the Heresy, and actually may have THD above the level of some transducers.
My 1st OS was CP/M on a Kaypro.
You're not counting the punchcards?
amazing chapter as always, will definitely find time to listen to a SR1A headphones from a local dealer. Just a couple of questions, I might missed someone mentioning them:
1) The Jotunheim R is a limited release product... How limited are we talking about here?
2) Will Raal sell the SR1a together with the Jot R in the future or we'll probably have to buy them separately from Raal and Schiit?
And just a side comment: I still think there is a market for a cheaper electrostatics amp but due to science, I understand that it might be impossible to design and sell one. Which is a pity because the price of decent electrostatic headphones are coming down, I believe there is a $500 one recently announced that seem promising.
Well stated treecloud.1000x the distortion sounds about the correct amount
Can an objectivist come to appreciate the value in the subjective approach? Even more, can they come to value (shock, horror) measurable distortion in the signal chain?
Maybe. It's not all that complicated either:
Let's propose that aural illusions are as common as optical illusions, or even more common. This may go some way toward explaining situations where a signal with measurably greater distortion is more universally pleasing to listeners than a less distorted one.
We might call these "euphonic compensatory distortions".
What are they compensating for? The limits of the medium itself...a box too small to contain reality.
How do we develop measurements that reveal how much is left out of the box relative to what can be put in?
So far we cannot. But what if we arbitrarily say it's 50%? Then the record/playback function has 50% real distortion.
But then what if we add tonal warmth, and we find it more natural, more "real"? This would be one of potentially countless examples of "euphonic compensatory distortion".
The subjective/objective debate is old and kind of tired. More importantly it misses the point: the box is too small, we cannot put all of reality into it. Consider the implied wiggle room created by such a conundrum.
But it's not all bad news. This conundrum is in large part what makes audio so interesting and pleasurable. And of course the other part is the music itself, whether it's reproduced perfectly, or not!
According to Danny at Raal they will have an option to bundle with the Jot-R, and are in the process of having the foam for the Pelican case cut for the Schiit instead of their interface.
amazing chapter as always, will definitely find time to listen to a SR1A headphones from a local dealer. Just a couple of questions, I might missed someone mentioning them:
1) The Jotunheim R is a limited release product... How limited are we talking about here?
2) Will Raal sell the SR1a together with the Jot R in the future or we'll probably have to buy them separately from Raal and Schiit?
And just a side comment: I still think there is a market for a cheaper electrostatics amp but due to science, I understand that it might be impossible to design and sell one. Which is a pity because the price of decent electrostatic headphones are coming down, I believe there is a $500 one recently announced that seem promising.
Stay updated on Schiit Audio at their sponsor profile on Head-Fi.
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1000x the distortion sounds about the correct amount
Can an objectivist come to appreciate the value in the subjective approach? Even more, can they come to value (shock, horror) measurable distortion in the signal chain?
Maybe. It's not all that complicated either:
Let's propose that aural illusions are as common as optical illusions, or even more common. This may go some way toward explaining situations where a signal with measurably greater distortion is more universally pleasing to listeners than a less distorted one.
We might call these "euphonic compensatory distortions".
What are they compensating for? The limits of the medium itself...a box too small to contain reality.
How do we develop measurements that reveal how much is left out of the box relative to what can be put in?
So far we cannot. But what if we arbitrarily say it's 50%? Then the record/playback function has 50% real distortion.
But then what if we add tonal warmth, and we find it more natural, more "real"? This would be one of potentially countless examples of "euphonic compensatory distortion".
The subjective/objective debate is old and kind of tired. More importantly it misses the point: the box is too small, we cannot put all of reality into it. Consider the implied wiggle room created by such a conundrum.
But it's not all bad news. This conundrum is in large part what makes audio so interesting and pleasurable. And of course the other part is the music itself, whether it's reproduced perfectly, or not!
Stay updated on Schiit Audio at their sponsor profile on Head-Fi.
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You guys are making me feel old(er). Remember this? Came with my first PC...
Thank you. Yes, probably. There has to be a certain suspension of disbelief, more organic and less synthetic. But we only have to look at the history of cinema to see that suspension of disbelief is a moving target correlated with technological evolution.This is an exceptional perspective.
Many of the early CG effects looked very bad, even when they were technically perfect. Maybe this is somewhat akin to that? The beauty is in imperfection?
@Jason Stoddard - might be a dumb question, since the Jotunheim R produces a lot of current and the connector/plug uses the male pins, if one leaves the Jotunheim R on and accidentally touched the pins would that result in a shock?
Stay updated on Schiit Audio at their sponsor profile on Head-Fi.
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