For the first time ever with this system, I find myself having to switch Lokius into bypass mode.
Interesting! I don't have any tubes in the
System 'o Tyrs, as I'm using the Benchmark LA4 for a pre-amp downstairs. But since my first over-the-top, early-stage-fanboi post regarding the power of the Tyrs... yes, I can confirm that it's only gotten more insane in the last weeks...
I left Loki Max bypassed for the first two weeks or so, and focused on moving the speakers around to reduce the strong upper mid-bass prominence - I wouldn't call it boom, but it was a marked change in sonic signature from the mono Vidars. I think that I told y'all that I ended up moving the speakers out almost a foot (more) from the wall, and experimented with widening their placement (slightly), then reducing their toe-in (a lot). I found that it was difficult to move them precisely with the carpet spikes for the IsoAcoustics GAIA-IIs in place, so I laid the B&Ws over on their sides and gently pried the carpet spikes' cups off the bottom of the isolators...
...and found that all of the moving around had loosened the GAIAs quite a bit... their mounting studs had backed out maybe a half to a full turn. Being quite @n@l-retentive (
although @ArmchairPhilosopher probably supersedes me in this affliction), I removed the GAIAs, re-checked and tightened their M6 studs, and re-installed them. By the way, I was a originally a skeptic regarding the GAIAs, but I think that they are one of the best mods I have made to they system, at least on the transducer side of the equation.
What I have ended up with is a wi-i-i-ide and deep soundstage that was ever-so-slightly missing the highs I enjoyed so much from the B&Ws, probably because I had toed them out so far. But at the same time, occasional shrill-ness I heard on some recordings was gone, too. That was a good development, for sure. So I switched Loki Max to flat on Preset 3, switched it into the circuit, and commenced to make some minor tweaks. None of the pots on the Loki Max are more than three clicks from center, and things are sounding just freaking off-the-damned-wall
amazing.
I'm in the maximum "off-axis" seat right now, in my office, upstairs. All the sound up here is reflected at least twice, and yeah it's mono and yeah the soundstage is collapsed, but... it sounds so rich and full that it's hard to believe. I call it my off-axis test and IMHO it's more telling that sitting directly in the sweet spot in front of the speakers... but what do I know?
I can actually hear how Yggy "sounds" now. The whole PRaT thing (
yeah, I know what "prat" means to the Brits!) - almost every song I hear seems slowed down in time; the level of detail that pervades every instrument's track is stunning, and I'm tapping my foot like an idiot when the music makes me tap my foot... wow. Yggy rocks with Tyr.
Dudes, those guys can SING!
Another happy Schiit customer,
/Don