pinnahertz
Headphoneus Supremus
- Joined
- Mar 11, 2016
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Thanks for the reply. Driving the Beyers is secondary concern. First concern is always ER4s and ER4SR.
Why do you find the Ibasso fascinating and how do you buy one? Can't find it in Europe to check prices.
Answering second Q first: looks like the DX50 is discontinued, might be hard to find. Amazon US has it for $189, though. You might hit the ibasso site and see who the local distributors are and check with them for stock. In a pinch you might have to get someone in the US to buy it and send it to you. Shipping will take the cost back up to close to $220.
What appears to be the successor, the DX80, has distribution in Europe.
As to why I find it fascinating, and referring to the DX80 (but most applies to the DX50 too),
Clearly designed by an audio geek. Lowest output Z on a DAP, highest output voltage too which results in output power over a quarter watt into 32 ohms, so it will in fact drive anything with no external amp required, possibly even a small speaker, though they don't state a maximum power. Physical buttons (thank you!) that you can probably deal with without looking at them, a real headphone jack (take THAT Apple!), a real line out, digital outs, expandable storage with SD card, and capacity beyond what you can even buy now (they can do 2TB when available). It supports every file type I need, and native 24/192 and DSD (not that I care about those last two, but if you're going to do it, at least do it right). Unlike some, I prefer larger size DAPs, my Clip+ is really too darn small, can't even see the screen without glasses, and Rockbox made it even worse.
The 3 obvious negative to the DX80 are, no Rockbox support, kind of short play time of 13 hours, and the price. Rockbox may not even be necessary, the stock features are already pretty good. One not so obvious negative, at least for me, is the lack of Bluetooth. I use a set of Parrot Zik 3 for plane flights and mowing the lawn because of their active noise cancelling, good seal, and reasonably good sound. You can use them wired, but their control app that deals with remote DAP control and EQ requires Bluetooth (and some OS their app can run on). So I'd be stuck with the phone for those situations.
Just so you have my point of reference, I've had mostly Apple stuff, from the original Shuffle, to an iPod 5 32gig, iPod Classic 160 gig, and now an iPod Touch 64 and an iPhone 6. I also have the Sanza Clip+. There's a lot to like about the Clip+, but it's not perfect either. I see since they're discontinued and the price up to $100 now. Perhaps I should sell! Anyway, I miss the iPod Classic and its simple UI. Worked for me, and with 160gig it held my entire audio library. The Touch sounds great, but 64 gig is too small for me. I get frustrated with IOS (on the phone too), as Apple has lost their way. It used to be about the user experience, now it's about monetization and undocumented and unnecessary feature clutter. But my real hate is for iTunes which has grown into a monetizing monster with less usability than ever. It used to be so good. On the good side, I like iTunes synch over WiFi for updating playlists across all devices, and synch in general, when it works, which is less often now than ever.
I also use Audyssey Music Player with the tunings for each of my headphones. That's an IOS only app, and IMO, a game-changer. That form of EQ is superb, and not duplicatable in Rockbox or frankly anything else without a big box to carry. The EQ is great, but the player app is junk, so another love/hate there. It is my firm belief that all headphones benefit from precision EQ, and Audyssey does that really well. That's not something I'll give up easily for any non-IOS player. The EQ in the iBasso is a 10-band graphic, state of the art ca. 1980, really rudimentary stuff.
Missing from most players, all I've mentioned here, is some form of DSP dynamics processing that can be easily switched between a few presets and off. Listening in a noisy environment to dynamic music like classical and some jazz tends to make us drive the volume up. Well, I treasure my hearing, and I'm not going to beat up my ears at this late stage of life. But I wouldn't mind some serious dynamics processing for those situations, mostly automotive listening. This paragraph means nothing to anyone but me and a DAP developer I'm sure, but as long as I'm ragging about players...there it is.