Dithyrambes
500+ Head-Fier
- Joined
- Dec 8, 2014
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Similar to RPB65...I rarely miss anything I sell with the exception of the QP1R, wich I recently repurchased. I think if you give it some time and let the circuitry burn in, your opinion will change. I felt the same about the ZX2 until it burned in for 200 hrs. and then I was blown away with a TRRS cable and my favorite IEM's. If you still have it, hold on to it and let it bloom.
So after updating the firmware from goodvibes, and giving it another day of prolonged listening as I wanted to give it another chance....It does sound better. The hissing is still really bad, but I found putting the amplication setting to High helped me the most in getting rid of it. Mind you that I listen to the qp1r at around 7 on Low, 5 on Medium, and 4 on High.
Bass kick takes a notch up, soundstaging seems clearer(but still lack of depth), imaging placement is good. I can now see how everything is seperated and there is resolution everywhere. I guess its good to hearing a good pianist play. Instead of hearing a melody with blocked chords, you can hear the different lines very clearly delineated and voiced seperately. You can hear minute details like the squeaking of a chair at the beginning of "When We Were Young" by Adele after every note the bass guitarist plays a note.
Even with these improvements, my thoughts still remain the same. Everything sounds energetic, but one note, thin, and sterile. Like when you hear Adele's voice and she's singing with such fervor, you can't imagine the sound being so distilled, clean and thin. Its like there isn't enough resonance, heft, or movement in her voice. Its the same when listening to orchestral recordings. The imaging is fabulous with hearing different instruments and placement, but the timbre and the dynamics of within every instrument is almost always the same. Every Cymbal hit decay doesn't have much variance. There is absolutely no microdynamics and shading. Being a musician(string player), that focuses efforts on what happens within a sustained note(like vibrato speed variance, bow speed variance, resonance variations, directional variance,....etc), I still after extended listening cannot like this player. I can see people who are obsessed with pinpoint placement and plankton to love this player. Its like resolution is everywhere and dots are flying from all directions. Its like pointilism in art, but doesn't make a full painting. At the end of the day, I want to see every dot and appreciate it, but still be able to see the whole picture and how each dot connects with the other in different ways(like strokes of a paint brush). Even in pointilism, no dot is completely equal and you can feel the artist's emotions and dynamic vision and how each point develops and comes together.
I wish I had read this post before, but it was on the QP1 thread, which I didn't read before. I asked people in this thread about microdynamics and shading here and I feel I was mislead, but I am glad I can give a better perspective to others interested in the QP1R. I should have done better research I'm glad that I am not alone in my opinion in this regard, especially when coming from a ZX2.
http://www.head-fi.org/t/751140/questyle-qp1/1125#post_11857671