Redcarmoose
Headphoneus Supremus
This is Tarantino at his psychological best. His character pace and building is perfect. I found this movie not to have much side talk. All talk is pertaining to moving the plot forward (my bad issue with Death-proof).
Every word was for a reason and every moment showed a conservation of effort, though in the end we realize the movie (just like others before) is an anti-racism vehicle.
A plot, air-tight and nailed down though I think they should have killed the gal in the first half of the movie, except there would be no plot afterwords. Lol
The fake letter from Lincoln shows us to be a slight of hand tool, used because Blacks just can't survive in the world with-out extra creativity. Take that message for what it's worth, but it seems to be another personal item of Black understanding which Tarantino has understood from early life, thus attempting to give us this inner city white-boy value.
We first view the Lincoln letter as a cheap trick and then understand the trick is a harmless act that is not really hurting anyone. A reflection of the frailty of the (Jackson) character which is acting so confident.
Again that confident manner, another tool to help in a repressive world.
The use of Jackson's character smiling to the prisoner in the stagecoach is an idea of genius, knowing we wonder who will try and break her free. We still don't know the story till the end, making a great script. IMO
This movie is brutal and nasty, it is tough and gory. It contains timing on a 10/10 level. Script is with-out flaw.
There is also a duality being played of light and dark. You hear an old Lutheran Church piano song right before the movie goes off full-tilt in fellatio-Tarantino mode. Shocking but with a slight social message that makes everything that was seen slightly-OK, in a cheap exploitation style way, straight out of 1976.
He used his time manipulation and chapters just like early films but did it masterfully, showing an even more mature style of his own original style.
We will never get another Pulp Fiction, though this maybe could be a close effort. It takes second place as the characters though interesting, don't have the charm or air about them like in Pulp Fiction.
Every word was for a reason and every moment showed a conservation of effort, though in the end we realize the movie (just like others before) is an anti-racism vehicle.
A plot, air-tight and nailed down though I think they should have killed the gal in the first half of the movie, except there would be no plot afterwords. Lol
The fake letter from Lincoln shows us to be a slight of hand tool, used because Blacks just can't survive in the world with-out extra creativity. Take that message for what it's worth, but it seems to be another personal item of Black understanding which Tarantino has understood from early life, thus attempting to give us this inner city white-boy value.
We first view the Lincoln letter as a cheap trick and then understand the trick is a harmless act that is not really hurting anyone. A reflection of the frailty of the (Jackson) character which is acting so confident.
Again that confident manner, another tool to help in a repressive world.
The use of Jackson's character smiling to the prisoner in the stagecoach is an idea of genius, knowing we wonder who will try and break her free. We still don't know the story till the end, making a great script. IMO
This movie is brutal and nasty, it is tough and gory. It contains timing on a 10/10 level. Script is with-out flaw.
There is also a duality being played of light and dark. You hear an old Lutheran Church piano song right before the movie goes off full-tilt in fellatio-Tarantino mode. Shocking but with a slight social message that makes everything that was seen slightly-OK, in a cheap exploitation style way, straight out of 1976.
He used his time manipulation and chapters just like early films but did it masterfully, showing an even more mature style of his own original style.
We will never get another Pulp Fiction, though this maybe could be a close effort. It takes second place as the characters though interesting, don't have the charm or air about them like in Pulp Fiction.