DLeeWebb
Headphoneus Supremus
Lawrence of Arabia - 10/10
A true epic in every sense of the word. The cinematic realization of the story of Col. T. E. Lawrence's involvement with the Arab Revolt towards the end of WW1 is a feast for the senses. From Freddie Young's spectacular cinematography through to Maurice Jarre's unforgettable score and star turns from Peter O'Toole and Omar Sharif, it's a film that demands to be seen on the big screen - I watched the 70mm print, that would surely have stunned audiences in 1962 with its sumptuous technicolor evocation of the harsh but beautiful landscapes of the Arabian deserts.
The first half of the film charts Lawrence's attempts to galvanize disparate Bedouin tribes into insurgency, culminating in the Battle of Aqaba. The second half focuses on the push north to Damascus, and at this point, the tone begins to shift, becoming colder (literally too - the parched desert gives way to snowy peaks) as politics take centre stage. The backdrop of the taking of Damascus is the Sykes-Picot Agreement, which saw Britain and France carve up southwest Asia into spheres of influence and control with the ultimate aim of defeating the Ottoman Empire. This shifting of scope, from the arena of battle to politics, is reflected in O'Toole's nuanced depiction of Lawrence, who begins to seem increasingly conflicted, failing in confidence and conviction as he is sidelined by his superiors, having outlived his usefulness.
It's a film that operates both on a grand scale and a very human scale, with Lawrence's compassion for individual lives and his personal capacity to inspire devotion counterpointed with the colonial remoteness of his puppet masters, General Allenby, Dr. Dryden and Prince Faisal, pulling the strings at a safe distance, far above the bitter reality of insurrection on the ground, and the human cost.
Amen to that review!