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Originally Posted by marcusgi /img/forum/go_quote.gif
Hello all, want to start off by saying how much I absolutely love this site. I have had Sony V6's for years and years. For Christmas, got some Grado SR80's. I am using a Creative Zen, have a Cowon D2 coming in the mail. I thought about getting an amp, but honestly, even the cheapy E5 seems like a waste from many opinions.
So now on to my question. When I recorded all my 500+ CD's, I knew nothing about true audio sound, recorded everything 192k MP3. Do you think I should rerecord all my music in 320k or a lossless format? Would I honestly be able to tell a giant difference ? The reason I ask, that is ALOT of work.
Thank you in advance for response.
Marcus
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The big advantage of lossless is, of course, that it is...lossless. You get about a 50-60 percent savings in disk space, and you can be sure that you are not throwing any of your music away. You can then generate lossy copies of those FLACS (or ALACs, or whatever lossless format) if you choose to go that way for portable use.
It's really a matter of preference. There is no doubt that lossy compression is just that: lossy. You are irrevocably throwing away some of your content. Lossless is a great way to archive your material because it saves you some space and there is no cost in terms of sound quality.
Whether that is worth it to you is entirely up to you. Many people simply can't tell the difference between a 128k MP3 and a CD track, so for them the extra effort and the extra disk space are hard to justify. As for me, I'm not sure that I can tell the difference between say, 320k and lossless. But I can reliably tell the difference between 128k and 320k MP3, and that simple fact convinces me that I want my music archived in FLAC format. That way, if I want to go to a lower bitrate for portable use, I am still left with a reference quality file in the form of the original FLAC.
The hidden problem here is that, if you upgrade your playback equipment (better phones/speakers, better amp, better source, etc.) you run the risk of suddenly hearing a difference that your previous equipment couldn't show you. If you go with lossless, you're fine. But if you go with a low bitrate lossy format, you may find yourself unhappy.