I wrote this in the Cavelli Liquid Lightening thread and it probably doesn't belong there so I'm copying it here...
Hey everyone, well I'm happy to declare that the Stax 007t/2 amp is great on the 009s. It took some playing around with different power cords (which made a big difference to get solid transparent bass and sweet but not piercing highs--and finally settled on my Shunyata Anaconda Helix), but ALL IS WELL!
I heard the WES this weekend (albeit a totally different system) which did grab the 009s with great grip and produced a prodigious and awesome bass (almost a speaker like impression, like no other headphone experience), but I'm not sure if this is what I want (or what I'm used to) with headphones. And there was some glare in vocals there, so on the whole, I think I could become fatigued with with this sound. It's a matter of taste. But the WES produced, for the lack of a better term, a big concert hall feeling, like I was in another space, a big venue.
OTHO, with my trusty old Stax 007t amp, this is what I was used to with my 007 phones (bought in 1999, sold several years later due to comfort issues; no comfort problems at all with the 009s by the way).
As I said in the earlier post, it is intimate with detail that is delicate and beautiful and not bombastic. It's a smaller, up front sound, not cavernous or huge. I just was testing out my good old Time/Life
classic rock CDs, and damn, the Supremes and the Four Tops and the Kinks were right there, with vocal texture to die for, continuous and natural, and guitars and strings were full of un-amplified life.
Diana Ross's voice is sooo hard to get right (and recorded in 1965-70 of course), especially with headphones (and speakers), with some shriek-factor, and It's kind of a test for me of audio systems, and the 009s get it right without pain or over the top glare.
The 007t amp sounds, sort of, like there is no amp.
The sonics are similar to what I loved about the 007 phones, but with more grace and without the touch of grain the 007s had, without the basic flatness to the sound of the 007 phones, or maybe the total lack of depth with those phones that was the cost of intimacy. The 009s preserve the truth of tonality of the 007s (and add more of it), and also give a reasonable feeling of space and layering, like I can hear the vocals in front, and the drums behind and place the guitars or backing strings. Wonderful. Like I said, I did hear more staging and depth with the WES system, but it's not something I need, and, overall, I prefer the just plain-jane natural sound of the 007t amp, and it is a tonality I just don't question or an entire listening experience that leaves me feeling I am missing something or wanting something more.
The WES makes the 009s sound profound, and maybe brings more out of them than was meant to be, and perhaps that's where the critical mentions of brightness is coming from from. I was looking for a better 007 phone, and that's what I got. And I can't stop listening.