Quote:
Originally Posted by jjcha
I wouldn't know... I only listen to mine loud.
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x2 for sure!
I can definitely understand your point about the Qualia's "brightness" being quite different than what I'd describe as simblance. It's not the same kind of brightness that I find with some of the Grados, for example. As you've suggested, although the "fit", burn-in and cable factors probably come into play to some extent, it's more of a matter of getting
used to the Qualia sound. This requires an adjustmnt period at first, and then eventually it starts to sound so right that everything else sounds wrong.
To a certain degree, this is the same sort of thing that some Ultrasone users have been describing of late, I guess because the S-logic thingie and the way that they angle their drivers, etc. A combination of several factors causes their line of headphones to have a distinct/unique sound signature relative to anything else in the marketplace. At first, this may seem "off" to the casual listener, and the Ultrasones certainly require an extended break in period. But eventually, at least for some people, their sound begins to seem right, perhaps even to the point that everything else seems "off".
Perhaps these are nothing more than carefully crafted excuses that folks who've invested in the Qualia or Ultrasones have come up with to justify their investments (whether they're making such 'excuses' knowingly or not). But I think there is more to it than that. It seems to me that the same thing can be said of speakers such as Martin Logans (electrostat) or Avantgarde (horn), where the listener is introduced to a totally different perspective that falls outside of any readily available reference points.
At first, people tend to react by trying to compare this totally distinct/unique sound signature to something else that they know and feel comfortable with (but which may or may not be any more "true" to the original source). By comparison to what we know and have grown comfortable with (dynamic speakers), this new sound seems "off" at first. But once the mind relaxes and is able to accept the fact that this new paradigm/presentation needs to be assessed on its own merit, the electrostat and/or horn experience can become so totally enchanting that you will never believe you could ever go back to dynamic speakers. Until, of course, you hear something else that grabs you from yet another new angle (like dynamic speakers that readiate 360 degrees, as in MBL).
And so the story goes in the so-called "high end" audio world. There is always something new to discover around the corner. Just when we think we've finally nailed down the "right" sound for whatever our tastes and preferences happen to be, then "Boom!" something else reaches out and grabs us!
Thankfully, with headphones, the entry point to some rather exotic sound possibilities is still somewhat affordable. Etymotics ER-4S for less than $200? What, are you kidding me?!?! This is an amazing bargain, and you can take that sound with you anywhere you go! Open, closed, full size, portable, IEM, and so many choices at every price point to suit whatever your sonic preferences happen to be, and no shipping crates involved.