Damn, why did this take me so long!
Was my reaction this arvo some 30 seconds after pressing play after finally getting around to hooking up the Ground-master to my PSM156, incl running cable outside, digging a <20cm deep trench in a section of sloped and scrubby lawn then laying in my 5cm wide x 0.8mm x 2m copper strip from AliX. Laying it was harder work than I anticipated with a few roots. Overall a bit of a bodge/temp job with it sitting pretty shallow in parts (say 5cm down, if that) due to roots and uneven ground. I also had to fold the last couple of feet of the copper strip back on itself due to space constraints. And the cable was just some old heavyish speaker cable I had lying around.
Anyway, with all those caveats out of the way, did the GM have much effect on my system’s sound?
Did it ever. I’d say at least as much positive impact again as adding in the PSM156 to begin with, possibly more TBH. Though I’m running from memory as it’s a PITA to AB the PSM itself with 6 components so I’ve not gotten around to it yet. Good thing is the GM is super easy to AB, just plug/unplug a single cable - the green GM banana plug terminated cable - into the green banana socket on the PSM156.
I should clarify the improvements I describe below are over and above the very positive effect of 3 x Quartz Acoustic premium signal grounding boxes I added to my system in Feb.
Observations - delta from connecting the GM:
- bass tightened up a lot, speedier and more impactful, weighty. Not subtle.
- midrange also tightened up, better focus with vocals beautifully textured, female vocals really sweet. A bit leaner in comparison to the PSM alone, but after a few ABs it became clear that sans-GM it was a bit loose so was artificially bloomed and warm.
- leading edges of transients more refined
- residual digititus glare in my system, already low after the QA boxes and recent ethernet chain tweaks, took another big hit
- soundstage did the usual thing I‘ve experienced with better signal grounding, but to another level again - better focus and precision, a calmer (I don’t want to say blacker) background, more ability to convey subtle nuances of an acoustic space.
Overall a satisfyingly more dynamic, refined and resolving presentation - the music is more alive and engaging with the GM in play, if a touch lighter/leaner in the midrange than I’m used to. I’m fast acclimatising though so now so when I switch back to sans-GM it feels quite warm and smooth, if flatter and less resolving, though still very listenable, possibly more forgiving of certain material. I guess the GM and the PSM circuit that feeds it may still benefit from some burn in.
So my provisional (though pretty high confidence) conclusion: at ~GBP/USD200-300 the GM brings remarkable bang-for-buck improvements and should be considered an essential part of any PSM setup I reckon. (Acknowledging apartment dwellers would need to use the GM City)
Methinks I will have to order an earth rod and heavyweight earth cable to ensure I do it properly, ideally with both the rod and copper strip in play.