blessingx
HeadFest '07 Graphic Designer
Supplier of fine logos! His visions of Head-Fi
- Joined
- Mar 27, 2003
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I think Achtung Baby and Zooropa were pretty bad albums even in their day (judged on their own or against U2's previous work), but like the Rolling Stone's list blinders, Pitchfork has them on too, and as mentioned it's the "rise of indie". Like the previous decades "alternative" work, it seems likely what the 90's will be thought off (at least in critical circles). Pavement's, My Blood Valentive's and Radiohead's past works are rising in general critical status now like REM's, Sonic Youth's and U2's did before. Then there's the opposite and great bands like Nirvana and Dinosaur Jr. that seem to be fading slightly in the historians eye.
I do think there's something to the comment- "The end of the 90s will be seen as the end of the album. The rise of MP3 technology and file downloading returned pop music consumption to collective pre-Beatles mindset, where songs are judged as singles." We'll see what shatters that.
EDIT: Just noticed Daydream Nation was released in '93. I thought it was '88-89. So my Sonic Youth/80's connection doesn't work as well. Sister, Confusion Is Sex, and EVOL were there, but the larger audiences didn't happen yet. You decide.
I do think there's something to the comment- "The end of the 90s will be seen as the end of the album. The rise of MP3 technology and file downloading returned pop music consumption to collective pre-Beatles mindset, where songs are judged as singles." We'll see what shatters that.
EDIT: Just noticed Daydream Nation was released in '93. I thought it was '88-89. So my Sonic Youth/80's connection doesn't work as well. Sister, Confusion Is Sex, and EVOL were there, but the larger audiences didn't happen yet. You decide.