I received loaner #8 today and have spent most of the day checking them over. I had a think about what to compare them to, and what to use as source, and finally decided on the following:
Headphones:
1. NAD Viso HP50 (My current mobile headphone that goes with my Earwerkz Legend -r) - plus point for this test - the HP50 and PM'3 use the same connector
2. Hifiman HE-560
3. PM-3
I've decided to stick with an iPhone6 either on it's own or with an Oppo HA-2 to test with the HP50, a MacPro -> Matrix X-Sabre -> Little Dot MKIV SE with CV4015 tubes with the HE-560's.
Tracks I have used so far:
1. Holst: The Planets - Jupiter - Karajan recording
2. Beverley Craven - I listen to the Rain
3. Martin Garrix - Animals
4. Johnny Cash - The Legend - various tracks
5. London Grammar - If You Wait
I found that spending much time with the HE-560 and the PM-3's to be a little pointless, as I found the PM-3's to be generally outclassed, but they did still sound quite good on the home set up - when I compared the HP50's to the PM-3's on the home set up, there was a noticeable difference.
Initial thoughts:
1. The HP50 sounds better than the PM-3 direct from the iPhone
2. The PM-3 sounds better from the HA-2 than the HP50
3. When comparing, the PM-3 has more of a scoop in the mids than the HP50. The consequence is that the PM3 has more clarity, and the HP50's sound more lush
4. With certain tracks I found the treble to be a bit harsh on the PM-3's (high strings, and when female vocals step on the gas in the high register)
5. Piano and acoustic guitar sound excellent with the PM-3's, but rather woolly in comparison on the HP50's.
Overall, I am finding as I am on my musical journey that I prefer a bit of treble boost, but around 4k bothers me (I have a bit of hearing loss/tinnitus in that range). I did find the PM-3's to sound a little empty, but that was specifically directly from the iPhone - with the HA-2 that emptiness disappeared.
I really found the HP50's sound very musical, but cannot handle the complexity of a full orchestra without getting muddy. But, Beverley Craven's voice is incredibly good! On the other hand, Martin Garrix had more energy, as the bass on the PM-3 was more precise, and overall the soundstage of the PM-3 sounded more open. HP50 = listening to an artist in a club, PM-3 = listening to an artist in a hall.
Now, I had put my HA-2 up for sale today, but I am seriously considering keeping it, and getting the PM-3's with the HP50's as back ups.
So, that's 7 hours listening in with 6 more days to go
Although, I'm off to Orlando for a couple of days - I think the PM-3's may accompany for the ride...