JaZZ
Headphoneus Supremus
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I don't have Crossfeed in my Aria prototype, but will take the HA-2's as a reference. Without bass compensation (as in the HA-2), Crossfeed gives the impression of decreased bass. The Opera's Crossfeed compensates completely for this bass decrease, so the sonic balance is perceivedly almost the same as without Crossfeed -- depending on the recording.
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I perceive the upper bass as somewhat leaner, in exchange the low bass is fuller through the Opera. In my book this characteristic makes for better synergy with the HD 650, together with more sparkling and airier highs as well as the clearly superior detail resolution.
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I can't adequately answer the cable question, since I don't own a dedicated S/PDIF cable, just use interconnects for this purpose. I compared a few with the Opera, but couldn't detect a clear change of sound. ICs through the analog line inputs make a more obvious difference to my ears -- it's fun to play with them and compare the sound of my UDP-1 with the integrated DAC. With some of them the analog signal from the McCormack sounds very close to the Opera's DAC, and actually that's also the characteristic I like best: a bit cooler and more analytical -- since the UDP-1 tends to the warm side of neutral. I've come to the conclusion that over-all the Opera's built-in DAC is of about equal quality as the UDP-1's.
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I'm not sure if and to what extent a balanced amp design on the basis of the Opera would mean a sonic improvement; the Opera's active-ground concept is in fact a similar approach to «symmetrical drive». And from what I hear (with HeadCode DM and sft DynaMight as reference) it shows much of the corresponding virtues -- together with greater neutrality. Resolution and detail are outstanding, and after 240 hours of burn-in (which I consider necessary for full development of the sound!) there's not a single serious coloration left, to my ears.
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Originally Posted by practitioner /img/forum/go_quote.gif Could you please expand on this and say use the Aria's crossfeed as a point of reference? I’m trying to imagine what the compensation does to sound. Would it be like the same kind of equalizer settings found in say the Prehead (for bass) built into the crossfeed? |
I don't have Crossfeed in my Aria prototype, but will take the HA-2's as a reference. Without bass compensation (as in the HA-2), Crossfeed gives the impression of decreased bass. The Opera's Crossfeed compensates completely for this bass decrease, so the sonic balance is perceivedly almost the same as without Crossfeed -- depending on the recording.
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Again, this is great news. My primary cans are the HD650+Equinox
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I perceive the upper bass as somewhat leaner, in exchange the low bass is fuller through the Opera. In my book this characteristic makes for better synergy with the HD 650, together with more sparkling and airier highs as well as the clearly superior detail resolution.
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The very good impressions on the DAC are also sealing the deal for me. I’m hoping for a source + amp upgrade with the Opera. Would you say that investing in a decent digital IC is beneficial here? I already have the Blue Jeans digital IC which I use with the Zhaolu DAC, I'm feeling that it might not cut it here? |
I can't adequately answer the cable question, since I don't own a dedicated S/PDIF cable, just use interconnects for this purpose. I compared a few with the Opera, but couldn't detect a clear change of sound. ICs through the analog line inputs make a more obvious difference to my ears -- it's fun to play with them and compare the sound of my UDP-1 with the integrated DAC. With some of them the analog signal from the McCormack sounds very close to the Opera's DAC, and actually that's also the characteristic I like best: a bit cooler and more analytical -- since the UDP-1 tends to the warm side of neutral. I've come to the conclusion that over-all the Opera's built-in DAC is of about equal quality as the UDP-1's.
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I hope Jan Meier takes on a project to create a balanced amp & DAC one day. The Meier Audio house sound would really be welcomed in the balanced headphone amp market & here in Europe - then I could get out of this place... well at least the amps forum! |
I'm not sure if and to what extent a balanced amp design on the basis of the Opera would mean a sonic improvement; the Opera's active-ground concept is in fact a similar approach to «symmetrical drive». And from what I hear (with HeadCode DM and sft DynaMight as reference) it shows much of the corresponding virtues -- together with greater neutrality. Resolution and detail are outstanding, and after 240 hours of burn-in (which I consider necessary for full development of the sound!) there's not a single serious coloration left, to my ears.
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