KC-130
100+ Head-Fier
To expand the conversation a bit, I have a brief comment on the difference between using the Hugo 2 alone (as both DAC & Amp) and adding the MKii Amp downstream.
The Hugo 2 has no problem delivering the power expected of a quality SS Amp. I've accidentally observed this on occasion by setting the Hugo 2 in Line Out mode while forgetting my headphones were plugged into the Hugo 2 rather than the target external Amp... painful.
More to the point, the Cayin Amp greatly improves the SQ of these elements over the Hugo 2 alone:
- Depth: The soundstage is granted a greatly improved front-to-back definition which, to me, is what engages my internals below the shoulders.
The deeper the soundstage, the more I sense the musicality flow southward through my sternum. This is where I find the Amp produces what my headphones may lack.
- Separation: Even listening to a performance with minimal instruments (e.g, Patricia Barber's jazz rendition of 'My Girl') I physically glance around the room as though I'm spotting the band members; and that's a natural reaction to most all of the music I play through the Cayin Amp.
- Clarity: With the Hugo 2 alone I find that the 'expected' sound of the instruments is not nearly as distinguished. For example, in an instrument heavy performance it's a challenge to discern the identity of the bass... is it an upright bass or is it an electric bass ? The Cayin Amp adds the extra nuance, via thump or slam, that paints a clear image of the source.
I'm sure that if I were left alone on a deserted island I would appreciate having just the Hugo 2... but in the comfort of my listening room, I prefer adding the MKii.
The Hugo 2 has no problem delivering the power expected of a quality SS Amp. I've accidentally observed this on occasion by setting the Hugo 2 in Line Out mode while forgetting my headphones were plugged into the Hugo 2 rather than the target external Amp... painful.
More to the point, the Cayin Amp greatly improves the SQ of these elements over the Hugo 2 alone:
- Depth: The soundstage is granted a greatly improved front-to-back definition which, to me, is what engages my internals below the shoulders.
The deeper the soundstage, the more I sense the musicality flow southward through my sternum. This is where I find the Amp produces what my headphones may lack.
- Separation: Even listening to a performance with minimal instruments (e.g, Patricia Barber's jazz rendition of 'My Girl') I physically glance around the room as though I'm spotting the band members; and that's a natural reaction to most all of the music I play through the Cayin Amp.
- Clarity: With the Hugo 2 alone I find that the 'expected' sound of the instruments is not nearly as distinguished. For example, in an instrument heavy performance it's a challenge to discern the identity of the bass... is it an upright bass or is it an electric bass ? The Cayin Amp adds the extra nuance, via thump or slam, that paints a clear image of the source.
I'm sure that if I were left alone on a deserted island I would appreciate having just the Hugo 2... but in the comfort of my listening room, I prefer adding the MKii.