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Who is your favourite conductor of Mahler Symphony 2nd ? I have those of David Zinman (SACD), Otto Klemperer, Gielen in hand.
I should also have those of Bertini and Zubin Mehta but I cannot find them now.
I do have other Mahler 's Symphony : 1st Kubelik (audite), 3rd Horenstein, 4th Benjamin Zander, 5th Barshai, 6th Tomas Sanderling,
7th Kubelik & MTT, 8th Horenstein (it is with other right now) , 9th Simon Rattle and 10th Barshai most are redbook SACD's, some are SACD
or XRCD (6th by Tomas Sanderling)
I will try some time to listen to Mahler's, they need total concentration but my favourite is 5th by Barshai and 6th by Tomas Sanderling
No question about it - Stokowsky. He did not want to record it any earlier in his career, for the fear of having to be "ressurected" prematurely, or something along those lines. You REALLY appreciate this superb conducting , AFTER hearing it first, by opening the 2LP centerfold - with Stoky's, aged 90 something, close up photo. The first question in my mind was: ...and this frail methusalem makes so powerful music ? It does not have the precision of ...., dexterity of ..., etc, etc - yet it did move me best of all. And it was not the first version of 2nd I heard or owned, as that first usually tends to be the dearest one and the one all others are compared to.
Above was gut response, without any thinking. A thinking response would be
http://en.wikipedia.org/wiki/Gilbert_Kaplan
If this is not the ultimate fan, then I not know who or what could have possibly exceeded everything Mr. Kaplan did for 2nd. I own the first recording conducted by him and will be getting second one on Deutsche Gramophon - in spite of this very fact , I usually do not like DG recordings regarding sound quality ( but I do appreciate musicians ).
Lucky you, with Zinman's SACD, I have a CD version and if there is music and (good) recording of that music, capable of proving beyond any shadow of a doubt that Caesar called CD is naked, it is Mahler 2nd and Telarc DSD recording of it. In quiet passages, CD's 44.1/16 bit is simply not enough, resolution is far too poor.
My dream as a recording engineer is to record 2nd once without having to resort to any kind of compression, to which probably all the previous attempts save for Telarc's ( at least all I have heard ) have been forced to use - no recording or reproducing medium prior to DSD ( SACD ) could do the dynamic range of 2nd justice. It goes from momentarily complete silence to almost threshold of pain, in the quickest possible of times; transients are so fierce that played in a good hall by a good orchestra, naturally different decay times of various groups of instruments sway sound once from left to right, then opposite - I have yet to hear a recording that can approach this heard live ( although Zinman/Telarc comes close ).
I did have an ill-fated attempt: I got permission to record it at the very latest moment, all I could do in next to zero time available to pack the recording rig and get to the hall, was to pick my friend's HiMD recorder; 44,1/16 proved too litle, quiet passages were a mess when recording levels were adjusted just about 1 dB below overload in the finale. To further add to the insult, on that very day Sony HiMD decided to fatally malfunction - somehow, power was interrupted druing SAVE and in everyone's book, that means recording lost. Some wizardry and hacking and kludging beyond and above the call of duty on the part of one technician in our Sony service could rescue about 90 % of it - but he had to sacrifice a bit at the beggining and the end of file. Anyway, due to practically zero time to position mics properly and no monitor other than IEMs, it was not anything approaching the results I had in the same hall.
But, I will keep trying - this time, DSD. And enough rehearsal/practice to position mics proper. What is unfortunately not repeatable, is the poise and energy of the young musicians from our Academy for Music in Ljubljana, under the baton of (then) just under 90 years of age conductor Anton Nanut. It really was extraordinarily good performance indeed. What they ( save the conductor, of course ) lacked in "mileage", they sure did compensate with enthusiasm and energy only youth can offer.