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Did not have M10 at that time.
The new Waveform uses FPGA - looks like a bit of a beast.
Any DAC reviews on the horizon from you? :¬)
Did not have M10 at that time.
The new Waveform uses FPGA - looks like a bit of a beast.
Any DAC reviews on the horizon from you? :¬)
I do hope I get one for review soon , at least that is what Rockna told me.
Well its all confirmed so can post the news here finally.
Have on the way by the end of November a MSB Select II DAC, with the Femto 33 clock and 2 power bases, one for analogue and one for digital. DAC will be in all Black. Will have an Analog DAC here also with its power base and the Quad USB input so will post comparisons soon, will also update on on how they sound vs the Nagra etc.
MSB have confirmed I will be able to run headphones direct off the outputs. Have ordered both RCA's and XLR as the output impedance differs.
Output Levels
Balanced Outputs 14 Volts PP (5.24 V RMS) at a volume of 100. Impedance is 75 ohms
Single Ended Outputs 7 Volts PP (2.62 V RMS) at a volume of 100. Impedance is 38 ohms.
Roy, what is your take on running headphones direct out of the MSB? Would you have enough current and what about impedance etc?
Roy, what is your take on running headphones direct out of the MSB? Would you have enough current and what about impedance etc?
It should work well but better with some headphones than others. Since you're using the signal output to drive the headphone rather than to feed a preamp or amp, you have to look at it differently, like an amp driving speakers and so you have to ignore that 1:10 rule. In the case of driving headphones directly, you want the output impedance of the DAC to match the input impedance of the headphone as closely as possible (1:1). If you think about your speaker amp (usually 8 ohms), you'd want 8 ohm speakers because the speakers derive maximum current without unduly taxing the amp.
If the input impedance of the headphone is higher than the output impedance of the DAC, that's ok from the standpoint of the DAC and in fact, this results in the DAC seeing an easier load to drive and can sometimes result in better headroom. From the standpoint of the headphone, it ends up seeing less current but if that headphone has high enough sensitivity, it may not matter. With a very high impedance headphone like an HD800, these headphones don't really care about current as much as they do voltage. These types of headphones usually do well here also.
Now if the input impedance of the headphone is lower than the output impedance of the DAC, for some DACs this can be a problem. For tube DACs like a Nagra HD for example, you'll blow the tubes because it's just too tough of a load to drive. Imagine attaching 2-ohm speakers to your 8-ohm amp and you'll get a better picture of what's going on. Now for a solid state DAC like the MSBs, you won't be blowing tubes but your DAC will probably run hot, your music probably won't sound relaxed and you probably won't have much dynamic headroom. I've never heard of a DAC clipping before but maybe you could be the first to clip a Select DAC. Try explaining that one to MSB.
With your Select DAC II, you will want to use the balanced outputs only and so this feature really isn't applicable for the MSB Analog. So at an output impedance of 75 ohms, you wouldn't want to use an EnigmaAcoustics Dharma for example, with its 26 ohm input impedance. Your HE-1000 with its impedance of only 34 ohms or Abyss at 46 ohms won't be ideal either. I don't know of any headphones with a 75 ohm input impedance although something like the LCD-4 could work very well. Input impedance of 100 ohms with a high sensitivity of 100dB/mW. Obviously, something like an HD800 should work fine.
Now there are ways to remedy this. You could purchase a toroidal autoformer to connect between your DAC and headphone (http://www.zeroimpedance.com/). These are devices that increase impedance and they're used for speakers but I suppose you could adapt them to headphones.
Why this whole concept works well for something like the TotalDac is because the TotalDac monobloc, for example, has an output impedance of only about 18 ohms. It can drive just about any headphone safely.
Good info. While i find appealing the idea of driving my non-Stax headphones directly from a DAC, i can envision some difficulty making accurate comparisons. Once my crop of DACs are in the house, I plan to, at least for the trial phase, connect them through a passive pre to the Carbon amp and listen primarily with the 009. I can connect up to 3 at a time this way, and can also output to two of my amps at a time, so could also more readily do an amp/can comparison.
Well its all confirmed so can post the news here finally.
Have on the way by the end of November a MSB Select II DAC, with the Femto 33 clock and 2 power bases, one for analogue and one for digital. DAC will be in all Black. Will have an Analog DAC here also with its power base and the Quad USB input so will post comparisons soon, will also update on on how they sound vs the Nagra etc.
MSB have confirmed I will be able to run headphones direct off the outputs. Have ordered both RCA's and XLR as the output impedance differs.
Output Levels
Balanced Outputs 14 Volts PP (5.24 V RMS) at a volume of 100. Impedance is 75 ohms
Single Ended Outputs 7 Volts PP (2.62 V RMS) at a volume of 100. Impedance is 38 ohms.
Any more photos? Would love to see under the hood. MSB has the tidiest internals. I hear they also make everything in house, resistors, clocks, power supplies, everything. Do you know if that's true?
Sure I think it is a very interesting company as I understand they design and build and everything themselves, they do a lot of OEM work and for example this is where Light Harmonic are getting their clocks from for the new SIRE DAC.
Internal board layout:
First time I have seen pretty much any high end DAC with what appears to be no internal wiring, MSB's philosophy is that it is more susceptible to picking up and transmitting the high frequency noise inside of the DAC. This board is shown with the Galaxy Clock which comes as standard, its interesting to have a discussion about clocks and how they affect a DAC's performance. I suggest we go through the various areas of performance and I will attempt to offer an explanation of the technology and what its purpose is. I have asked Vince, their National Sales Manager to chime in where necessary. So feel free to ask any questions you wish.
This photo suggests dual AES/EBU inputs, L+R. I think DCS does this also. Is this one of the standard modules? Also, with their I2S inputs, is this proprietary to their own transports or will it work with others, like the Audio-gd converters?