Before:
After:
Well, that wasn't so bad. I had to rearrange a few parts but the big cap fits nicely and is worth the effort.
I swapped the filament and high-volatge portions of the circuit to make room for the big cap. I had to use longer pieces of wire for the filament connections so I removed the line-output wires and used them. Future plans included changing the line-out to a second input - I'm gonna need more of this good wire..
I only needed to drill two holes for the screws that hold the clamp for the big cap. I used some stainless-steel button-heads and recessed them into the wood side panel.
I'm starting to love point-to-point wiring. It's like a 3D puzzle...
Here you can see the connections to the big cap and the reorganized wiring. The big cap replaces the brown cap on the left in the top picture and the not-so-big black one on the right. I had to give more thought to component location since I re-used every part I could.
Additional parts I added are the 1uF/250 Solen bypassing one side of the big black and a .47uF Wima MKP4 bypassing the 47uF on the last stage of the HV filtering section.
So, how's it sound?
Welp, in a word - 'strong'. There's a decidely firm 'whack!' on drum hits. It's a surprising sound coming from a tube amp. It's moved towards solid state in the presentation of impact - which can be good or bad - depends on your taste. I like it!. As a bonus, there's absolutely no power supply noise (it was barely noticable before - now it's non-existant).
Stay tuned for Phase 4 - Black Gate output caps, two more additional inputs, and some appearence improvements!
ok,
erix