Quote:
Originally posted by DarkAngel
Adhoc
I unfortunately own no:
-trios
-quartets
-quintets
-sextets
-very few violin concertos
-opera
So I am no help to anyone in these areas. I concentrate on symphony & large orchestral works, piano concertos and ballet music.
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Interesting, I'm almost the same way.. while there are several Piano Concertos I enjoy, I'm not a huge fan of concertos in general.. too many personalities involved I guess. I would say I prefer solo music to concertos.
But like you, I've always gravitated towards symphonies, orchestral works, ballet music, tone poems, and the like. Though because of my love of Mahler, I do enjoy some classical song cycles, though very little opera. Schubert's "Die Schoene Mullerin" is very nice. Of course, I love "Carmina Burana" (The Tavern Section is the best).
I do like to hear quartets on occasion. The Shostokovich and Bartok quartets are pretty amazing.
But overall, yea, big orchestral stuff. Big Bruckner, Big Mahler, Big Shostokovich and Rachmaninoff and Bartok and Walton and Elgar and Vaughn Williams.. ahhh.
Have you heard Schoenberg's GURRE-LIEDER? It was composed by Schoenberg before his jump to atonalism, and it's very Mahlerian in spots. It's not so much an opera as a big song cycle, but it's operatic in it's scope. There's really not another work quite like it. I have the Kubelik DG recording.
Another piece I wanted to mention was John Adams' HARMONIELEHERE. If you're familiar with Adams' work you'll have a good idea of what it sounds like, but the cool thing is that he throws in these neo-romantic parts that sound right out of Mahler and Sibelius. Not total rip-offs, but you almost get this feeling of time travel listening to this work. One of my favorite 20th Century compositions.
-jar