AC1
500+ Head-Fier
- Joined
- Sep 14, 2001
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These are the much talked about, highly touted, Bob Crump modified, cables on AudioAsylum where owners had it beat out a lot of good cables (including the AZ silver ref, some Cardas, Nordost Quatro Fils)...The Luminous Audio Synchestra Signature (LASS) is another high purity continuos cast copper cable made with Cardas RCAs... Well, I saw some for a very good price on Agon and could not resist trying them out, of course I had said to myself I would not touch ICs again after gettin the Silver Ref IIs... But curiosity got the better of me... Could these cables really perform at the level or above that of the Silver Ref IIs???
I've had the LASS for about 200 hours of burn-in with half of that time being pink/white noise... Actually, burning these cables in also helped burn in the Headmaster, which I only had for about a week prior, even though it was a used unit.
From what I have read about these cables, they are suppose to be musical, fast, big and throws a wide/deep soundstage with detail (everything, at least, I would want in a cable)... These cables are indeed musical, being warmer/fuller in the midrange (though not bloated) than the SRIIs with a sound that has a better "swing" in notes. This effect is helped by speed of the cables, listening to the XRCD of Beethoven's Symph #7, the orchestral attacks with the LASS can go from quiet to loud very quickly giving a greater contrast to the music, and even making the SRIIs sound a tiny bit sluggish, but this was a very close call however.
The presentation of the soundstage and the instruments is where these cables are very different. The SRII makes everything sound even bigger/taller/fuller than the LASS. The LASS in no way has a tiny sound since the only cables I have heard that are bigger is the SRII... As far as soundstage, the SRIIs make it sound like you are right smack in the middle of the orchestration, while the LASS has a farther perspective, more like a few aisles back, which has the effect of the soundstage sounding in general deeper and in a way helps present the sound of the cable better (with the ambient detail).
There is a lot of ambient detail in both cables, but in different ways... The LASS gives ambient detail for the whole concert hall making it easier to place instruments in that space. The SRII on the other hand, has a lot of ambient detail around instruments giving them space and an "airy" sound. To summarize, the LASS sounds like you being in the same room listening to the orchestra, while the SRII sounds like you are in the middle of orchestra with the instruments all around you.
Well, the overall detail and separation of the LASS is where it loses out compared to the SRII... The SR is a more transparent IC, instruments are clearly defined from each other with the SRII, the LASS can sound a bit homogenized in comparison. The highs with instruments like cymbals are far more distinct, with more bite, shimmer and, air with SRIIs, I would not say the Luminous is lacking but does not have that last level of refinement as the SRIIs. The bass is also tighter, more focused and a bit more dynamic than the LASS. Notes being played by bass instruments are more obvious with the SRIIs, again I would not say the LASS is lacking, just not as refined.
To me, the LASS is good and has some addictive qualities, but the lack of transparency really puts the Silver Ref IIs in a different level than the Luminous. Some people could like the musical qualities it posses. The SRIIs, I guess are more analytical/cold, but to me has not gotten in the way of the music. I would not hesitate to recommend the Luminous however since for a copper cable it held it's own very well while also not being overtly expensive. Hopefully this comparison is helpful to somebody.
Note: I have said before of the Silver Ref II's about not locking the RCAs too tight, having it affect soundstaging and HF energy... With the Headmaster, I have to keep the rcas very loose to minimize the hf energy since it can overpower the sound making the hf too prominent with them too tight (which was my mistake when I first got the Headmaster).
I've had the LASS for about 200 hours of burn-in with half of that time being pink/white noise... Actually, burning these cables in also helped burn in the Headmaster, which I only had for about a week prior, even though it was a used unit.
From what I have read about these cables, they are suppose to be musical, fast, big and throws a wide/deep soundstage with detail (everything, at least, I would want in a cable)... These cables are indeed musical, being warmer/fuller in the midrange (though not bloated) than the SRIIs with a sound that has a better "swing" in notes. This effect is helped by speed of the cables, listening to the XRCD of Beethoven's Symph #7, the orchestral attacks with the LASS can go from quiet to loud very quickly giving a greater contrast to the music, and even making the SRIIs sound a tiny bit sluggish, but this was a very close call however.
The presentation of the soundstage and the instruments is where these cables are very different. The SRII makes everything sound even bigger/taller/fuller than the LASS. The LASS in no way has a tiny sound since the only cables I have heard that are bigger is the SRII... As far as soundstage, the SRIIs make it sound like you are right smack in the middle of the orchestration, while the LASS has a farther perspective, more like a few aisles back, which has the effect of the soundstage sounding in general deeper and in a way helps present the sound of the cable better (with the ambient detail).
There is a lot of ambient detail in both cables, but in different ways... The LASS gives ambient detail for the whole concert hall making it easier to place instruments in that space. The SRII on the other hand, has a lot of ambient detail around instruments giving them space and an "airy" sound. To summarize, the LASS sounds like you being in the same room listening to the orchestra, while the SRII sounds like you are in the middle of orchestra with the instruments all around you.
Well, the overall detail and separation of the LASS is where it loses out compared to the SRII... The SR is a more transparent IC, instruments are clearly defined from each other with the SRII, the LASS can sound a bit homogenized in comparison. The highs with instruments like cymbals are far more distinct, with more bite, shimmer and, air with SRIIs, I would not say the Luminous is lacking but does not have that last level of refinement as the SRIIs. The bass is also tighter, more focused and a bit more dynamic than the LASS. Notes being played by bass instruments are more obvious with the SRIIs, again I would not say the LASS is lacking, just not as refined.
To me, the LASS is good and has some addictive qualities, but the lack of transparency really puts the Silver Ref IIs in a different level than the Luminous. Some people could like the musical qualities it posses. The SRIIs, I guess are more analytical/cold, but to me has not gotten in the way of the music. I would not hesitate to recommend the Luminous however since for a copper cable it held it's own very well while also not being overtly expensive. Hopefully this comparison is helpful to somebody.
Note: I have said before of the Silver Ref II's about not locking the RCAs too tight, having it affect soundstaging and HF energy... With the Headmaster, I have to keep the rcas very loose to minimize the hf energy since it can overpower the sound making the hf too prominent with them too tight (which was my mistake when I first got the Headmaster).