BlueMountain
New Head-Fier
- Joined
- May 21, 2013
- Posts
- 17
- Likes
- 12
Hey there,
a family member did buy a new set of speakers the last month.
As my living room is not suitable for a set of speakers, I want to improve on the already owned HD600 and HD6XX. The new headphone should be suitable for all genres.
What I am looking for:
Natural tonality – especially for wooden instruments (e.g. strings) or brass instruments (e.g. trumpets).
More extension in frequency response
More resolution
More soundstage
Neutral response*
*If there is deviation and I would be forced to choose between a darker and a brighter headphone in the treble region, I would choose the brighter. However, I do not like extremes.
Maximum Budget
EUR 1800
Auditioned Headphones:
Audeze LCD- X
Sennheiser HD800 s
Hifiman Ananda
Hifiman Arya
Stax SR L300 with Srm-252s
Stax SR L500 with Srm-252s
AMP/Energizer:
Schiit Magni 3+ for Single Ended
SRM 252S for STAX
Findings:
Technically all auditioned headphones were superior in a technical sense to the HD600.
This manifested mainly in detail, resolution and soundstage.
However, all auditioned headphones, except for the STAX SRL 300, failed in the recreation of natural tonality. Some quite severely. This was easily heard with orchestral soundtracks and to some extend in vocals.
So why not go for the SR L300?
The SR L300 lacked low end extension and control. It was similar, maybe even slightly worse to the HD600 and much worse to planar bass in terms of extension, quality and quantity. Considering the asking price of EUR 1000,- (including the energizer) and the fact that I am looking for an allrounder this would have been a too much of a compromise and lack for bass heavy genres like RAP and EDM.
Question:
Is there a headphone which has a natural tonality of the Sennheiser HD600 or STAX SR L300 combined with planar like bass?
Bonus: Extended description of Listening Session:
The listening session was done with two people.
We both had extremely similar hearing impressions.
We do attend from time to time real orchestral concerts in a good symphony hall.
Please bear in mind that these impressions are relative to the headphones owned and auditioned and the experience gathered during live orchestra sessions. Vocabulary may not be 100% fitting as we are no journalists and no native speakers.
Please do not take any “cons” mentioned hereafter personally or as an insult to anybodies taste or buying decision made in the past.
Lastly and most importantly. Have fun!
Music:
Wild mix of genre and songs.
Auditioned songs/albums: Chris Jones Roadhouse Automobiles, John Williams (e.g. Star Wars Episode 9), Hans Zimmer (e.g. Interstellar), Madonna (Ray of light), Rap, Top50 etc.
LCD-X:
Comfort: Heavy and on the edge on being tolerable.
Build: Great
Sound: Very very dark and muffled for most genres!
Far away from neutral (if HD600 is).
Much(!) darker and more veiled than the HD6XX (HD6XX on its own is okay for me).
Due to the issue in tonality this headphone was quickly put aside.
Pro: Basslines were exceptionally well presented, textured and detailed.
Bass sounded the best I heard to date.
Contra: Lacked correct tonality and was very muffled.
Some peaks in the higher octaves were present which resulted in a strange shift in loudness depending on the played
note.
Note: In all fairness, some people seem indeed to have heard very good and neutral versions of the LCD X.
However, others seemed to report from quite a lot of driver variance.
Maybe this was a bad sample.
I am still a lit puzzled as I can barely imagine what other, darker versions must sound in the case this was a normal
version.
Hifiman Arya (“old” revision with the dustcover attached to the earpads)
Comfort: Very comfortable. Large earpads were a non- issue for seal.
Build: Good enough to consider it okay for me.
No creaks or strange build issues the auditioned sample.
Sound:
Signature: Perceived as V-Shaped.
However, the lack of linear extension of the existing headphone HD600 probably
skewed my judgement here. In general, this is probably more likely a neutral to
neutral bright headphone with a dip in the upper mids.
Pro:
Great extension to both ends of the frequency response.
Planar control of base.
Great sense of a black background
Soundstage showed impressive layering and was quite holographic and surprising in height. In terms of width, only
HD800 was wider.
Dynamics are good enough for me
Con:
Tonality was off (“plasticky, hollow”). Especially noticeable on wooden instruments like strings.
Highs were in some areas quite peaky. As a result, some tones and voices sounded
borderline to become harsh, however not on HD800 level.
Vocals sounded subjectively worse in tonality than HD600 and “s” “t” sounds were sometimes a little bit edgy.
However, tonality is an issue for almost all headphones here except maybe for the STAX SR L300.
Hifiman Ananda:
Comfort: Good weight, however worse than ARYA as the Cups do not swivel.
Sound:
Signature: Sounded more focused on the mids (than Arya). Sounded artificial and had less soundstage/closer sounding.
Was quickly disregarded. Just not our cup of tea.
Sennheiser HD800s:
Comfort: Very comfortable, clamp could have been a little bit higher.
Build: Very good for the headphones.
However, I would like to see another type of cable sleeve (no issue with quality itself)
Sound: Leaning towards analytical and bright.
Pro: Great sense of air and detail retrieval.
Not as ear piercing as expected.
Great soundstage (see con)
Wooden instruments and brass sounded tonally believable enough.
Con: Overall (still) too bass light.
Lacked extensions and quantity in the lower registers compared to the elevated highs and lacked control to planar
bass.
Showed (still) some glare/resonance to my ears which was especially noticeable during complex classic tracks.
mildly fatiguing
Soundstage sounded artificially boosted in some Pop tracks.
STAX SR L300
Comfort: Okay, but ears touched the inside of the dust cover.
Build: Cheap plastic. Must be handled with (extreme) care. Creaks.
However, I have not heard reports about longevity issues.
Sound: Neutral with a good amount of bass hump around 100 hz
(for the auditioned sample).
Tonally close to HD600 with more air to the highs and more body for wooden instruments.
Pro:
Tonally the most accurate representation of a live orchestra I have heard to date out of a headphone
Soundstage was good enough in size and with nice separation and enough depth. Certainly no HD800s or Arya.
Contra:
Lacks extension and control in base (compared to planar)
(Quite similar in extension to HD600)
Lower bass lines below 50hz (a guestimate) are barely/not represented due to sharp drop in loudness.
Less than neutral amount of bass below the 100hz hump.
Maybe a little bit too much body and warmth on this set but still very enjoyable.
STAX SR L500
Comfort: Good due to the thicker pads. Ears did not touch the dust cover anymore.
Build: Same as above L300
Sound: This exemplar was requested as a last hope by me as I hoped to find more bass extension with the same tonality
and more control.
Much brighter and thinner sounding than the SR L300
It did have more control, however not more extension. Maybe a tiny little bit.
Note: I am not sure the difference should be that large in tonality between the L300 and SR L500. However, the store owner confirmed the general lack of extension and heft.
a family member did buy a new set of speakers the last month.
As my living room is not suitable for a set of speakers, I want to improve on the already owned HD600 and HD6XX. The new headphone should be suitable for all genres.
What I am looking for:
Natural tonality – especially for wooden instruments (e.g. strings) or brass instruments (e.g. trumpets).
More extension in frequency response
More resolution
More soundstage
Neutral response*
*If there is deviation and I would be forced to choose between a darker and a brighter headphone in the treble region, I would choose the brighter. However, I do not like extremes.
Maximum Budget
EUR 1800
Auditioned Headphones:
Audeze LCD- X
Sennheiser HD800 s
Hifiman Ananda
Hifiman Arya
Stax SR L300 with Srm-252s
Stax SR L500 with Srm-252s
AMP/Energizer:
Schiit Magni 3+ for Single Ended
SRM 252S for STAX
Findings:
Technically all auditioned headphones were superior in a technical sense to the HD600.
This manifested mainly in detail, resolution and soundstage.
However, all auditioned headphones, except for the STAX SRL 300, failed in the recreation of natural tonality. Some quite severely. This was easily heard with orchestral soundtracks and to some extend in vocals.
So why not go for the SR L300?
The SR L300 lacked low end extension and control. It was similar, maybe even slightly worse to the HD600 and much worse to planar bass in terms of extension, quality and quantity. Considering the asking price of EUR 1000,- (including the energizer) and the fact that I am looking for an allrounder this would have been a too much of a compromise and lack for bass heavy genres like RAP and EDM.
Question:
Is there a headphone which has a natural tonality of the Sennheiser HD600 or STAX SR L300 combined with planar like bass?
Bonus: Extended description of Listening Session:
The listening session was done with two people.
We both had extremely similar hearing impressions.
We do attend from time to time real orchestral concerts in a good symphony hall.
Please bear in mind that these impressions are relative to the headphones owned and auditioned and the experience gathered during live orchestra sessions. Vocabulary may not be 100% fitting as we are no journalists and no native speakers.
Please do not take any “cons” mentioned hereafter personally or as an insult to anybodies taste or buying decision made in the past.
Lastly and most importantly. Have fun!
Music:
Wild mix of genre and songs.
Auditioned songs/albums: Chris Jones Roadhouse Automobiles, John Williams (e.g. Star Wars Episode 9), Hans Zimmer (e.g. Interstellar), Madonna (Ray of light), Rap, Top50 etc.
LCD-X:
Comfort: Heavy and on the edge on being tolerable.
Build: Great
Sound: Very very dark and muffled for most genres!
Far away from neutral (if HD600 is).
Much(!) darker and more veiled than the HD6XX (HD6XX on its own is okay for me).
Due to the issue in tonality this headphone was quickly put aside.
Pro: Basslines were exceptionally well presented, textured and detailed.
Bass sounded the best I heard to date.
Contra: Lacked correct tonality and was very muffled.
Some peaks in the higher octaves were present which resulted in a strange shift in loudness depending on the played
note.
Note: In all fairness, some people seem indeed to have heard very good and neutral versions of the LCD X.
However, others seemed to report from quite a lot of driver variance.
Maybe this was a bad sample.
I am still a lit puzzled as I can barely imagine what other, darker versions must sound in the case this was a normal
version.
Hifiman Arya (“old” revision with the dustcover attached to the earpads)
Comfort: Very comfortable. Large earpads were a non- issue for seal.
Build: Good enough to consider it okay for me.
No creaks or strange build issues the auditioned sample.
Sound:
Signature: Perceived as V-Shaped.
However, the lack of linear extension of the existing headphone HD600 probably
skewed my judgement here. In general, this is probably more likely a neutral to
neutral bright headphone with a dip in the upper mids.
Pro:
Great extension to both ends of the frequency response.
Planar control of base.
Great sense of a black background
Soundstage showed impressive layering and was quite holographic and surprising in height. In terms of width, only
HD800 was wider.
Dynamics are good enough for me
Con:
Tonality was off (“plasticky, hollow”). Especially noticeable on wooden instruments like strings.
Highs were in some areas quite peaky. As a result, some tones and voices sounded
borderline to become harsh, however not on HD800 level.
Vocals sounded subjectively worse in tonality than HD600 and “s” “t” sounds were sometimes a little bit edgy.
However, tonality is an issue for almost all headphones here except maybe for the STAX SR L300.
Hifiman Ananda:
Comfort: Good weight, however worse than ARYA as the Cups do not swivel.
Sound:
Signature: Sounded more focused on the mids (than Arya). Sounded artificial and had less soundstage/closer sounding.
Was quickly disregarded. Just not our cup of tea.
Sennheiser HD800s:
Comfort: Very comfortable, clamp could have been a little bit higher.
Build: Very good for the headphones.
However, I would like to see another type of cable sleeve (no issue with quality itself)
Sound: Leaning towards analytical and bright.
Pro: Great sense of air and detail retrieval.
Not as ear piercing as expected.
Great soundstage (see con)
Wooden instruments and brass sounded tonally believable enough.
Con: Overall (still) too bass light.
Lacked extensions and quantity in the lower registers compared to the elevated highs and lacked control to planar
bass.
Showed (still) some glare/resonance to my ears which was especially noticeable during complex classic tracks.
mildly fatiguing
Soundstage sounded artificially boosted in some Pop tracks.
STAX SR L300
Comfort: Okay, but ears touched the inside of the dust cover.
Build: Cheap plastic. Must be handled with (extreme) care. Creaks.
However, I have not heard reports about longevity issues.
Sound: Neutral with a good amount of bass hump around 100 hz
(for the auditioned sample).
Tonally close to HD600 with more air to the highs and more body for wooden instruments.
Pro:
Tonally the most accurate representation of a live orchestra I have heard to date out of a headphone
Soundstage was good enough in size and with nice separation and enough depth. Certainly no HD800s or Arya.
Contra:
Lacks extension and control in base (compared to planar)
(Quite similar in extension to HD600)
Lower bass lines below 50hz (a guestimate) are barely/not represented due to sharp drop in loudness.
Less than neutral amount of bass below the 100hz hump.
Maybe a little bit too much body and warmth on this set but still very enjoyable.
STAX SR L500
Comfort: Good due to the thicker pads. Ears did not touch the dust cover anymore.
Build: Same as above L300
Sound: This exemplar was requested as a last hope by me as I hoped to find more bass extension with the same tonality
and more control.
Much brighter and thinner sounding than the SR L300
It did have more control, however not more extension. Maybe a tiny little bit.
Note: I am not sure the difference should be that large in tonality between the L300 and SR L500. However, the store owner confirmed the general lack of extension and heft.
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