Rebuilt the Amanero USB powersupply.
The PS is based on the LT3042, this rebuild addressed a couple of issues particularly the use of conventional electrolytics at the output.
The equivalent series inductance (ESL) and equivalent series resistance (ESR) of the original cap is far beyond the manufacturer specified limits.
Before picture:
The output cap is the brown one at the top center.
After picture:
The 470uF brown cap (ESR 60-80mOhm) replaced by a 330uF Kemet Tantalum polymer (ESR 4mOhm).
LT's ESR recommendation for output cap is <50mOhm.
Ripple current, current rating increased from 2A -->8.3A
Added bypass caps in the C4 and C5 positions, these are stacked caps to reduce ESL, made with TDK XR7 MLCC ceramic caps + Rubycon Acrylic film SMD caps.
The big red cap is a 10uF WIMA film cap, the little cap in the C6 position is also 10uF, made very small to reduce ESL, a requirement in that part of the circuit.
The rectifiers, the 4 TO220 packages near the blue wiring block, had exposed metal tabs at supply voltage, replaced with the fully insulated Vishay Schottky diodes.
This have very low leakage and very low switching noise.
Final change is the replacement of the Panasonic FC caps with OSCON SEPF polymer caps, this provides a very low impedance and high ripple supply.
The LT3042 is a new design, its main advantage is the ability to keep working at high frequencies, it is still providing effective regulation and power supply rejection at 10MHz and above. Commonly used high performance regulators like the LT1963 stop working around 2MHz, the venerable LT317 quits around 200kHz.
Noise is also very low around 0.8uVrms, much better that the 2 regulators mentioned.
This is one of the main reasons for this rebuild, the original components were not up to the task of extracting maximum performance from the LT3042.
One of the more economical rebuilds with <$30 in parts.
The main benefit is to the Crystek XO driving the the Amandero, and power supply to the XOs is critical.
The sound improvement is along the lines of using an external DDC, the soundstage deepens and there is an immediate improvement in transparency, at the same time the rendering of the transients like clashing cymbals is more defined.
Sibilance common in the DS type DACs is also much reduced.
The unexpected change is the improvement in the low bass, the bass notes hit lower but without muddying the midrange or introducing additional warmth.