Voltron
HeadFest '07 Lead OrganizerThe DOTU
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- Jun 22, 2005
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I have been a Who fan for almost 30 years but I have yet to buy the album -- in part because I am not sure if it is out on vinyl yet (or ever) and in part because it bears the same name as a 1978 Gordon Lightfoot release!
Setting aside the disturbing question of whether there are any connections other than the name, I have listened all the way through on Rhapsody twice now. The first time I really thought they had crashed and burned but the second time through made me feel a bit better about my once-favorite band (for years I actually drove what was referred to as the Whomobile, my yellow 1971 VW Bug with The Who logo spray-painted on the hood). I haven't given it a close enough listen to really differentiate the short rock opera portion from the rest, but I plan to spend some more time with it to see how it holds up. If the trend continues, maybe I will actually like the record eventually!
The first song really put me off the first time because it starts out with a synth track lead-in that seems to combine Baba O'Reilly, Love Reign O'er Me and Another Tricky Day. Once I noticed the song title is Fragments and listened again, I wondered if it was descriptive/autobiographical/self-referential rather than just unintentional recycling. I quite like Mike Post Theme, God Speaks Of Marty Robbins, Endless Wire, and even the whimsical We Got a Hit.
Roger sounds fine at times but then sounds like his voice is completely lost at other points (especially when he sounds like Tom Waits swallowed Bob Dylan). Some of the power and fury are inevitably and understandably gone, but Pete can still write a few good songs and play his guitars and he sings a few of the songs too. I always like his voice.
All in all, it won't rock my world, but I can listen to this album and enjoy it. Anybody else given The Who's version of Endless Wire a spin?
Setting aside the disturbing question of whether there are any connections other than the name, I have listened all the way through on Rhapsody twice now. The first time I really thought they had crashed and burned but the second time through made me feel a bit better about my once-favorite band (for years I actually drove what was referred to as the Whomobile, my yellow 1971 VW Bug with The Who logo spray-painted on the hood). I haven't given it a close enough listen to really differentiate the short rock opera portion from the rest, but I plan to spend some more time with it to see how it holds up. If the trend continues, maybe I will actually like the record eventually!
The first song really put me off the first time because it starts out with a synth track lead-in that seems to combine Baba O'Reilly, Love Reign O'er Me and Another Tricky Day. Once I noticed the song title is Fragments and listened again, I wondered if it was descriptive/autobiographical/self-referential rather than just unintentional recycling. I quite like Mike Post Theme, God Speaks Of Marty Robbins, Endless Wire, and even the whimsical We Got a Hit.
Roger sounds fine at times but then sounds like his voice is completely lost at other points (especially when he sounds like Tom Waits swallowed Bob Dylan). Some of the power and fury are inevitably and understandably gone, but Pete can still write a few good songs and play his guitars and he sings a few of the songs too. I always like his voice.
All in all, it won't rock my world, but I can listen to this album and enjoy it. Anybody else given The Who's version of Endless Wire a spin?