Okay Malfario now you mention black metal I am going to have to dig into this and think-tank with you. I am still on pink for bass filter and red for upper, close to your set-up. My other set is the OG Aten like you, where I use black for bass, pink for upper; and I know I loved the Rah, the PB1’s closest sibling, so we must have similar taste.
First thing I’d suggest is source rolling - what are you using? I think my Cayin N3Pro takes care of a lot of that screech you mention while giving out plenty of energy in Ultralinear mode. It even gets close to classic tube mellowness in Triode mode.
Well-implemented tubes are an effective antidote to the ceramic’s excess sizzle.
Hey monsieurfromag3, thanks for chiming in.
I've tried several setups:
1. Pre Box S2 Digital acting as DAC for JDS Atom Amp / Topping L30, some fairly transparent combos AFAIK.
2. Burson Play w/ a mix of Burson V6 Vivid & Classic opamps for a warmer representation.
3. E1DA 9038s-G3 and EarStudio ES100 mk2 for portable setup.
I really enjoy my PB1 (black nozzle/blue filter as I said) with any of these setups; the bass texture and dynamics are simply amazing, the piezo treble is sharp and crisp while being inoffensive, and the planar mids are just crazy.
Sadly I cannot say the same when switching to Semper. With black/grey nozzle, the bass gets in the way of every other frequency, making even difficult to hear details in treble (eg. rides and hi-hats are almost testimonial).
Moving to pink nozzle makes lower frequencies more bearable, but then I miss the punch and air that is present on PB1 and Aten's bass with black nozzle; and as the mids and treble become more prominent, I find the treble a bit too hot for my taste on some recordings with any filter above pink.
I've also tip rolled all over my collection trying to find a good match for at least grey nozzle / blue-black filter (as I've given up on black nozzle): Azla Sedna Light/Regular, JVC Spiraldots, Spinfits, some BGVP tips, KZ starlines, Final E Type, etc.
I've settled on Spiraldots half a size bigger than I'm used to with other IEMs, as it allows me get a better seal with a shallower insertion.
Right as I'm writing down this essay (sorry lol) I'm listening to Wheel's (the German, not Finnish band) "Aeon of Darkness" from their 2021 album "Preserved in Time", and even on pink filter crash cymbals sound borderline harsh (almost distorted sometimes, definitely not smooth at all) on my Pre Box S2/JDS Atom combo.
I don't know, maybe EST treble is not for me?