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Stay updated on iFi audio at their sponsor profile on Head-Fi.
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We have something very special to share with you tomorrow. Very, very special.
Stay tuned!
Stay updated on iFi audio at their sponsor profile on Head-Fi.
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Stay updated on iFi audio at their sponsor profile on Head-Fi.
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Thanks for the link. Here’s the review translated in English:If anyone intrested, review in polish http://www.highfidelity.pl/@main-3246&lang=
Easter ‘Bug Bounty’ Hunt.
Hunt 'em, wherever they are...
Introduction
Our just announced firmware v5.30 is MQA capable and in one fell swoop, elevates legacy iFi products* with MQA capability for even more sonic enjoyment.
The MQA integration was a little difficult. It involved:
- Totally replacing the customised core code
- Re-apply tuning/core loading and
- Further fine tuning the firmware for even more precise allocated resource use in order to allow us to support MQA and 384kHz.
To bring all this to fruition required the combined efforts of the MQA and iFi software developers or a total of +1,000 programming hours to deliver firmware v5.30 (excluding testing on all iFi legacy units).
Notwithstanding, there may still be one or two software bugs we have not quashed – hence we would like to involve you, the customer – in the Easter Bug Hunt.
More details are to be found in this thread:
https://www.head-fi.org/threads/ifi-audio-easter-‘bug-bounty’-hunt.876057/
Here's my review for the Pro iDSD
Thumbs up and Subscribed! Fantastic review: well structured, thoughtful, and honest. Flawless audio, lighting, and camera work as well. Do you do your own production?
You raised some interesting questions that, if we're being honest with ourselves, I'm sure most head-fi'ers have also pondered. How much CAN we actually hear? What do we actually perceive and how much is placebo? This comes up a lot for me when thinking about the topics of bit rate / depth, and cable quality, and to a lesser degree sound stage, since the perception of 3D space is something that literally generated by our brain's own software. Anyone that's ever played with some good optical illusions knows how much of what we see / think we see is based on context and assumptions and post-process that our brain does; not the actual light coming into our eyes.
But then this gets back to the greater questions of, if it feels real to us, and we enjoy it, does it matter how "real" it is?
I also wondered the same thing about how the IDSD pro would play in the the product line with the ICAN pro. I can't help but feel skeptical / cynical in places where it seem like a company might have a very strong incentive to "nerf" a feature in one product to prevent it from competing with another product from the same line. Its like when GM sold both the Camaro and Corvette, but they where careful to always hold the Camaro back just enough that it wasn't a real threat Vette sales.
But, with their philosophy of checking every possible check-box (including some that didnt exist in the market before), it would be very odd to see a flagship dac from IFI that DIDNT also have at least SOME form of HP amp. It would also be odd if that AMP didnt sound fantastic. But then that get's to the very real issue of destroying sales for the still-fairly-new ICAN pro... so making the IDSD's amp sound good, but just lack the power and features of the ICAN is an interesting decision and walking a thin line of trying to make everyone happy:t still gives new customers a good justification for owning both while also not pissing off existing ICAN owners.
However, there also might be a very practical reason for holding back some of the power from the IDSD's amp: heat, form factor, isolation. Powerful amps (even SS ones) generate a lot of heat. My GS-X mk2 actually creates a noticeable small updraft from all the heat that it puts off. Also, many of the very, very best amps, both SS and tube, physically separate the power and amplification stages. The GSX also does this and each half is actually bigger than the ICAN. So considering what the ICAN can do; it's already a remarkably compact design. Trying to pack an ICAN (or even micro BL's) amount of juice into the same form factor just might not have been possible without compromising something else like noise or longevity of components due to heat.
Thanks for your kinds words, much appreciated. Yup, majority of the production is done by me, only the intro and outro animations were done by someone else.
On the matter of "if it feels real to us, and we enjoy it, does it matter how "real" it is".....in a personal sense, no. If you experience it, then for all intent and purposes it is real to you, and therefore it's valid..to you. However, if it's not something that can be measured (currently or at all) then it has no place being a person's recommendation. This is one area where I try to be very careful with my reviews. Let's assume for a second that I had the best hearing in the world, and I could easily pick up on the slightest differences between devices. Well, in that scenario, no-one else on Earth would be able to hear what I hear, so there would be no point in me describing those differences to them..so me describing all sorts of wonderful differences between devices would be of no use to anyone else.
And the same is true for more realistic reviews....no-one is going to experience a product exactly the same way as I will, so generally I try to keep things more, errm, general.
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So for me, I'm totally willing to accept the idea that even sounds that you can't "hear" still impact the way that you experience the sounds that you can.
We have some comments we'd like to share.
We selected Wifi/Ethernet audio over Bluetooth because in a stationary application the 192kHz/24Bit hi-res networked audio with DoP-DSD, airplay and DLNA compatibility and playback from a SD card or a USB memory/HDD offer performance levels that Bluetooth cannot match.
Our selection of Wifi system was driven by ease of use and we are certain the reviewer would have found using either Airplay from an Apple Phone or DLNA via USB Audio Player Pro on Android as easy as using Bluetooth instead.
The reason that the iCAN offers such a seemingly extreme level of dynamic range is to accommodate different headphone sensitivities, instead of bragging rights.
While 137dB may seem extreme, if we accept 115dB peaks at very loud listening and have a headphone that produces 115dB with 1V input, then the 23V maximum output will be "wasted" on this headphone and thus the top 27dB of dynamic range are lost to simply excessive headphone sensitivity.
The analogue circuitry in the iDSD Pro actually has more or less identical levels of noise, so analogue dynamic range will be comparable to the iCAN, where things vary though is the DAC is in the iDSD Pro. This is the limiting factor.
It also means that volume level can be adjusted down a fair degree, before the noise of the analogue circuitry exceeds that of the DAC, preserving the full dynamic range of the DAC over a much wider range of volume control settings and headphone matches.
So the extreme dynamic range of the analogue circuitry in both iCAN Pro and iDSD Pro is needed not just for specmanship or posturing.
As for the sonic differences when driving headphones, the iCAN Pro has more pairs of transistors in the actual power buffer and runs at a much higher quiescent current in Class A, which of course effects on the resulting sound.
The output stage in the iDSD Pro has fewer parallel transistors and lower quiescent as the same circuitry is optimised as line driver (to drive balanced lines at 600 ohm), yet with the headphone function not being the primary objective.
For use strictly with headphones of a price level that justifies the expense for something like the Pro range, we strongly recommend to partner the iDSD Pro with the iCAN Pro.
Fur use mainly as DAC driving a hifi system or active speakers, where headphones may be plugged in on occasion but comparably rarely, the headphone output on the iDSD Pro delivers a more than adequate performance.