Objectively speaking, to achieve perfect reconstruction we need a perfect filter.
Objectively speaking, we need a filter which exceeds what is objectively audible. Sure, if we were to want perfect reconstruction then we’d obviously need a perfect filter but we don’t need that because we don’t have perfect downstream equipment or ears.
Where the audible limit lies and for what factors (there are multiple issues/factors to different reconstruction approaches and tradeoffs) is up for debate and there is very little study on the matter.
What exactly is up for debate and hasn’t been studied much? Can we hear a filter whose roll-off starts at about 19kHz? Can we hear alias images at -100dB or lower? Can we hear no phase discrepancy? Can we hear filter ringing which occurs rarely in music and is almost all above 20kHz anyway? And countless people in the industry have performed numerous DBTs of filters, I’ve done quite a few myself in the distant past.
Instant meaning that everything below 22.05khz is passed through completely unaltered and everything above that is entirely eliminated. As opposed to partial attenuation or slower rolloffs.
Ah, so you’re talking about a small transition band. What difference does it make if the transition band starts above human hearing or the attenuation is lower than -100dB?
The upsampling IS the reconstruction filter.
No it’s not, it’s output is just another digital signal at a higher sample rate, it’s not reconstructing the original signal.
As to the -80dB claim, that's not true and is unfortunately a result of Amir using less than ideal testing methodology and not setting up the device correctly.
That’s possible, he’s made serious mistakes before and I haven’t looked into this measurement in any depth.
And due to how noise shaper effectiveness is linked to conversion ratio, at 768khz output it's better
And due to that same reason, typical oversampling at far higher rates than 768kHz would be even better.
I'm comparing filters that are higher performance than those inbuilt into most DACs. .. Most DACs use 128-1024 taps which is very low.
No, it’s not “very low”, it’s high performance. Admittedly I have seen some DACs (although not recently) which had fairly dodgy filters, attenuation of only -80dB or so but even that was only just audible and only under quite extreme listening conditions.
G
Edit: Didn’t see VNandor’s post before I posted this. Bit of duplication.