@castleofargh
I'll provide what I think/believe/opinion is the disconnection between the posts from sunjam and to you guys as I think the concept of digital signal processing on a basic level isn't fully grasped by @sunjam yet, and for that reason sunjam hasn't interpreted of Monty's talking points to the math/science behind it in a "non cherrypicked" manner. For the record, I do not believe sunjam is manipulating me or influencing what I know about the math and behavior of DACs and how they translate sampling to a perfect (in terms of audibility thresholds) sinusoidal wave. It's just that if I put my shoes to you and gregorio, I can understand where you guys are coming from (sunjam cherrypicking and stuff), but in my opinion, sunjam just hasn't had the full grasp of the concept yet and why would these variety of custom filters that influence the final DAC output (on 44.1 KHz original sample rate so long as reconstructed analog output provides almost 0.907 at Nyquist, yes that's inaudible (0.1 dB delta) from the ideal 1.0, and Sinc-L 16 million tap filter would probably be around 0.990 at Nyquist) be so frigging minute (in terms of audibility thresholds) that can explain why 99.9% of audiophiles fail a properly set DBT ABX volume matched test consistently.
I already provided my sighted listening biases on my previous posts earlier, but ultimately succumb to the power of placebo when put to the golden standard ABX test
In honesty, these 5 reasons though are 100% supported by math. However, when applied in real life without any controls, the combination of brain/mood/sight/hearing/feeling can make us perceive the difference on a subconscious level. Delving into evolution theory, these traits does make sense to our species survival. Full disclosure, I embrace the biases though since this makes the audio hobby incredibly fun and not boring
I'll provide what I think/believe/opinion is the disconnection between the posts from sunjam and to you guys as I think the concept of digital signal processing on a basic level isn't fully grasped by @sunjam yet, and for that reason sunjam hasn't interpreted of Monty's talking points to the math/science behind it in a "non cherrypicked" manner. For the record, I do not believe sunjam is manipulating me or influencing what I know about the math and behavior of DACs and how they translate sampling to a perfect (in terms of audibility thresholds) sinusoidal wave. It's just that if I put my shoes to you and gregorio, I can understand where you guys are coming from (sunjam cherrypicking and stuff), but in my opinion, sunjam just hasn't had the full grasp of the concept yet and why would these variety of custom filters that influence the final DAC output (on 44.1 KHz original sample rate so long as reconstructed analog output provides almost 0.907 at Nyquist, yes that's inaudible (0.1 dB delta) from the ideal 1.0, and Sinc-L 16 million tap filter would probably be around 0.990 at Nyquist) be so frigging minute (in terms of audibility thresholds) that can explain why 99.9% of audiophiles fail a properly set DBT ABX volume matched test consistently.
I already provided my sighted listening biases on my previous posts earlier, but ultimately succumb to the power of placebo when put to the golden standard ABX test
Given my thinking style, I asked them for the proof that why they believe objectively that "Hi-Res is useless".
They mainly come back with five reasons:
1. Sampling theory said 44.1k is enough
2. Based on science, the difference is so samll so that you cannot hear it
3. They show me the Monty's video and it proves that 44.1k can reconstruct perfect smooth sine wave ouput
4. You are not bat, you cannot hear higher than 22k
5. There are research reports to show that you cannot hear the difference
In honesty, these 5 reasons though are 100% supported by math. However, when applied in real life without any controls, the combination of brain/mood/sight/hearing/feeling can make us perceive the difference on a subconscious level. Delving into evolution theory, these traits does make sense to our species survival. Full disclosure, I embrace the biases though since this makes the audio hobby incredibly fun and not boring
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