Hi all,
First time poster here. First of all I'd like to thank the contributors to this thread for their amazing work and for the wealth of information there is in here... I've spent a good few hours trawling through it with wide-eyed amazement and a fair amount of (well-meaning) envy! It had never even occurred to me that these things could be DIY-ed... until I stumbled on this thread, and as an avid DIY-er, I've decided I HAVE to make myself a pair.
It being my first attempt and not wanting to risk flushing a sizeable amount of cash down the drain by screwing up an 8-driver setup, and following the oft-repeated advice I've seen on this thread, I'm going to go with a triple GK driver with its ready-made crossover, and I'm going to house it in a universal Shure-knock-off shell purchased on Aliexpress. Although It'd be fun to make my own custom molds, Shures fit my ears great and I'd rather save myself the hassle on my first attempt.
I already own a pair of Shure SE215's, and they sound pretty decent and all (a bit bassy), but I mainly use them for playing my electronic drum kit and there are some kit pieces, particularly the snare, that sound like they're behind a thick curtain. I don't know if it's because the higher-frequency components of the snare are not coming through or what, but it's a bit annoying. I have a pair of cheap Superlux 668B's that sound fantastic. It's true the highs are slightly on the harsh side when crashing cymbals, but the snare and all other kit pieces sound beautiful. The problem is they're semi-open and don't isolate enough, which the Shures do exceptionally well. Basically, I'm looking to see if I can make myself a pair of IEMs that sound better than the 215's for roughly the same price, so here are my questions:
1.- Is this a realistic goal? If it is, then...
2.- Dampers: In the Shure shell I've been eyeing, the two nozzles from the GK driver would be going into a little chamber (that I'd seal against the drivers), combining both outputs into a single tube. Here's the product so you can see what I'm talking about:
http://www.aliexpress.com/item/High-quality-C0-Repair-DIY-Unit-Housing-Shell-SE535-se425-se315-se215-W40-Earphone/32499329423.html?spm=2114.01010208.3.2.hdCVcz&ws_ab_test=searchweb201556_7,searchweb201602_2_10057_10056_10055_10037_10049_301_10033_10059_10032_10058_10017_10060_10061_10062,searchweb201603_9&btsid=9f16285c-26e3-4459-87e4-4d1c00a3544c. So I'd like to ask what damper/s would you recommend (if any)? Should I try attaching a separate damper to each nozzle? Is there any reason not to attach dampers directly on the nozzles (no tubing - wouldn't fit in the housing)? I understand that the best answer is to just buy a few different dampers and do some testing, but some pointers would be much appreciated; I'd prefer not to have to buy 2 of every single damper - maybe narrow it down to 3 values. I'd basically like to have tamed highs that are present but which don't send my ears ringing every time I whack a crash cymbal (the Superluxes tend to do that...).
3.- Anything in particular I should be careful with or aware of? I'm fairly handy with a soldering iron so that part should be OK, but through experience I know that there are always unforeseen things that crop up, so any advice is welcome.
Thanks for reading if you got this far, and apologies for the long-winded post!