Robonaut
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In the February 2009 issue of Hi-Fi Choice there is a comparison test between six different DACs.
The units tested are:
(1) Beresford TC-7510 (₤130)
(2) Cambridge Audio DacMagic (₤200)
(3) Heed Dactilus (₤300)
(4) Apogee Digital Mini-Dac (₤690)
(5) Lavry Engineering DA-10 (₤763)
(6) Cyrus DAC-X (₤1,200)
The conclusion is that the audible differences between them all are minimal.
The Beresford is felt to lack slightly in impact and refinement compared to the others.
The Cambridge is praised heavily, although at least one listener thought it was slightly dark in tonality.
The Heed is described as having good rhythm, a warm midrange, but slightly lacking in detail. It is also criticized for being the most bare bones of the group as far as features.
The Apogee is said to be better with smaller scale pieces; it seems to become constricted on more complex works.
The Lavry is criticized for being overly analytical, but praised for its sense of space and controlled bass.
The Cyrus was praised for its soundstaging and detail but criticized for a slight lack of dynamics and for softening the rawness of certain music.
Overall, the Cambridge gets the nod for its combination of sound, features, and price.
So, what are the forum's thoughts on this?
The units tested are:
(1) Beresford TC-7510 (₤130)
(2) Cambridge Audio DacMagic (₤200)
(3) Heed Dactilus (₤300)
(4) Apogee Digital Mini-Dac (₤690)
(5) Lavry Engineering DA-10 (₤763)
(6) Cyrus DAC-X (₤1,200)
The conclusion is that the audible differences between them all are minimal.
The Beresford is felt to lack slightly in impact and refinement compared to the others.
The Cambridge is praised heavily, although at least one listener thought it was slightly dark in tonality.
The Heed is described as having good rhythm, a warm midrange, but slightly lacking in detail. It is also criticized for being the most bare bones of the group as far as features.
The Apogee is said to be better with smaller scale pieces; it seems to become constricted on more complex works.
The Lavry is criticized for being overly analytical, but praised for its sense of space and controlled bass.
The Cyrus was praised for its soundstaging and detail but criticized for a slight lack of dynamics and for softening the rawness of certain music.
Overall, the Cambridge gets the nod for its combination of sound, features, and price.
So, what are the forum's thoughts on this?
