JoeDoe
Headphoneus Supremus
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Mahler 2 or 5. Whew.
Also, Rachmaninoff Piano concertos will absolutely bury you.
Also, Rachmaninoff Piano concertos will absolutely bury you.
Mahler 2 or 5. Whew.
Also, Rachmaninoff Piano concertos will absolutely bury you.
What do you mean by intense? Emotionally volatile, profound, passionate or musically complex?
I am surprised nobody has mentioned a piece that is considered by classical musicians as one of the greatest achievement by mankind. Bach's Partita for Violin No. 2 the magnificent Chaconne.
+1
And in addition, if you haven't heard it, Paul Galbraith plays a wonderful Chaccone on his cello-esque classical guitar
I agree with previous posters about Rachmaninov's Piano Concertos. The Decca recordings with Ashkenazy, Haitink and the Royal Concertgebouw are just incredible performances and recordings. Similar themes are also explored in his symphonies. For really intense orchestral pieces you could get Rachmaninov's Isle of the Dead and Symphonic Dances on the Naxos CD with the Royal Philharmonic Orchestra and Enrique Batiz. Don't put it on at high volume unless you know what to expect. You could call it dynamic, or you could call an ambulance and hope they bring a defibrillator. It's a fantastic performance and a brilliant recording, one that illustrated Naxos' ambition to move away from making cheap but mediocre recordings and be accepted as a serious, credible label. Definitely a success.
....his hands are rather small
It's not size that counts (I've said this to no avail many times to disbelieving and disappointed women), it's flexibility and span (of course talent, practice, study, determination, discipline etc.) Famously Alicia de Larrocha had very small hands (as expected of a woman less than 5' tall) but brilliantly played pieces that supposedly require hands like a pterodactyl's wing.
Ashkenazy struggles at the piano in the same way that Newton struggled with his long division.
Anyway I agree that all Rachmaninov's symphonies are worth exploring in different versions. Sometimes he seems to be reworking the same melodic ideas in a different form but if you have ideas of that calibre you probably ought to explore them in every way possible.
For people looking for drama and dynamics it would be a crime to neglect Spanish music. How about de Falla's El Amor Brujo with The New Philarmonia Orchestra & Frühbeck de Burgos? Anyone who looks like this is not going to let you doze off
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I don't know if it has been mentioned before but Elgar's Cello Concerto is very, very powerful stuff, a stirring lament with outbursts of hope, frustration and despair, the ending especially; it is so abrupt that it seems like despair finally triumphs. Jacqueline DuPre's 1965 Recording with Sir John Barbirolli is pretty much acknowledged as the benchmark for this work.