Quote:
Originally Posted by NeilPeart
There may be more than "a few" people who prefer the HD650 to the L3000. The L3000 is an excellent headphone and one of the best dynamic cans but it certainly has its flaws and shortcomings. That said I find amplification really affects the L3000's performance. I'm a fan of the DHA3000, but the more I hear the balanced L3000 with the SDS-XLR, the more I lean toward that pairing. I'll take the SDS-XLR/HD650 combo over the SDS-XLR/L3000 anytime!
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Count me in... I'll even go so far as to say that the HD600 / 650 are in a different league technically, and sonically, far more appropriate for a larger range of material. I find when the l3k's excel, they sound better than anything else, but when they don't which is often, they sound harsh, dim, and with a low level of detail and speed.
its weird though because if I only listen to the l3k's for a while, I really start to enjoy the sound... its just when I go back to the 600's... I'm a fan of laserlike accuracy and speed... hence my HE60's being my current main phone for the home rig...
At their best, the l3k's are warm, very musical and for lack of a better word 'analog' sounding. The Senn offerings tend to be very crystaline in comparison yet with good amplification they are very warm as well...
The DHA3K is nice, and it makes the L3k's sound better than anything else, including an SDS-XLR most of the time.
Neil
Edit: The other thing to take into consideration here is, NeilPeart and I were raised on the Senn House sound... and like many others, my ears have come to see this sound as the reference.. I have mixed music with these phones, I have come to understand many a musical recordings through these phones... The AT sound to me just seems so colored, I cannot for my life 'trust' it...