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Originally Posted by krmathis /img/forum/go_quote.gif
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First skip those lossy files, then look into balanced DAC/amplification.
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Maybe I'm in the minority here but I think you can get great sound despite using the much-vilified MP3 format out of a mac; I use a 24" iMac as a source for convenience and *gasp* sometimes play the decently-encoded stuff from the iTunes store (formerly known as iTunes Plus) which is set at 256kbps.
Note that I agree with Rurika's recommendation: digital (optical) out from the Mac, into a good (balanced) dac, and into a balanced amp and comparable cans and you'll get a nice taste of balanced flavor. I connect my iMac to a $9K Emm Labs DCC2 dac so my experience may not be typical -- but I will readily admit the codec is not always the weak link. Generally speaking a 128kbps MP3 does, in fact, generally sound terrible and better gear exposes the flaws, but even on my gear I am hard-pressed to hear real differences between a 256kbps file from a great recording, and one at 320kbps or higher, or even lossless. Again, this is with the caveat that if it's a bad recording to begin with, the codec used will not bring vast improvements.
With the Mac as a source, an offboard dac outputting a balanced signal is doing the heavy lifting, of course, in terms of sound signature -- the compression inherent in the 256 bitrate MP3s, to my ears, is less a determinant of the final audio quality than the quality of the actual recording itself. Listen to a snippet of Esperanza Spalding from the iTunes store to hear what I would consider a decent MP3 sample, far superior to some badly recorded SACDs despite the superior resolution. Just because it looks good on paper doesn't mean it will sound good, so let your ears decide.
Now, the bigger question to me is whether balanced is worth it at all. For HD650s I think it is a nice improvement, but the cost of entry overall is fairly steep in relation to the jump in audio bliss.