AudioDwebe
Headphoneus Supremus
- Joined
- May 1, 2006
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Sorry for another "what do you all recommend" post.
But here goes...
I am planning on ordering one of the three phones tomorrow, but can't really decide which to get. I'm sure I'll eventually end up with all three, but what to get first, that is the question.
My listening preferences are normally jazz (traditional, contemporary, fusion), pop, and some classical. I've currently got the SP MPX3 w/o the Slam upgrade.
I've got five decent phones already (Grado SR 225, RS-1; AKG 501, 701; Beyer 990 Pro) but I'm really curious about the Sennheiser "sound", the Ultrasone "sound" and the difference between my 990 pros and the 880's.
I'm hoping to find some cans that comes between the 701's and 990 pros, in that I like the ultra detail of the 990's but sometimes the cans demand, like a drill sergeant, that you notice each and every nuance on a recording; wheres the 701's kind of let to listen for the nuances if you want to. They don't seem to care. And as for the Grado's, I find the 225's to be a "fun" listen no matter what I'm listening to. They sort of just get the toe a-tappin'. And the RS-1's seem to lean closer to the other cans in terms of headstaging.
Right now, I'm leaning toward the Proline 2500 first, then the Senns and eventually the 880's.
Which would be your first choice among the three listed?
Thanks for any and all input.
Ciao
But here goes...
I am planning on ordering one of the three phones tomorrow, but can't really decide which to get. I'm sure I'll eventually end up with all three, but what to get first, that is the question.
My listening preferences are normally jazz (traditional, contemporary, fusion), pop, and some classical. I've currently got the SP MPX3 w/o the Slam upgrade.
I've got five decent phones already (Grado SR 225, RS-1; AKG 501, 701; Beyer 990 Pro) but I'm really curious about the Sennheiser "sound", the Ultrasone "sound" and the difference between my 990 pros and the 880's.
I'm hoping to find some cans that comes between the 701's and 990 pros, in that I like the ultra detail of the 990's but sometimes the cans demand, like a drill sergeant, that you notice each and every nuance on a recording; wheres the 701's kind of let to listen for the nuances if you want to. They don't seem to care. And as for the Grado's, I find the 225's to be a "fun" listen no matter what I'm listening to. They sort of just get the toe a-tappin'. And the RS-1's seem to lean closer to the other cans in terms of headstaging.
Right now, I'm leaning toward the Proline 2500 first, then the Senns and eventually the 880's.
Which would be your first choice among the three listed?
Thanks for any and all input.
Ciao